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Ok JPFmovie fans here is Part 2 of Heaven and Earth (1990).

In part one of the Heaven and Earth review we talked about how equally matched these 2 warlords were.  Now we are going to look at what is probably a pretty authentic recreation of the battle formations used during that period of Japanese history.

Kenshin’s “Winding Wheel” vs. Shingen’s “Crane.”

We briefly discuss to the “Winding Wheel” employed by Kenshin and Singen’s “Crane” technique.  According to Japanese historian Stephen Turnbull the “Kuruma gakari” (wheel) this formation, drawn like a spiral, envisages successive units of an army being brought against the enemy ‘as the wheel winds on’.  It is famously described in the Koyo Gunkan as being the formation adopted by Uesugi Kenshin for his dawn attack against Takeda Shingen at the fourth battle of Kawanakajima in 1561. It is essentially an idealized representation of a tactical move that replaces tired units by fresh ones without breaking the momentum.

Singen’s The Woodpecker pecks at the tree, and the vibrations scare the insect out so he can eat it. Kansuke (a Singen General) suggested sending a garrison up the mountain by a round-about route late at night to “peck” at the Kenshin’s troops in the early hours, flushing them down to the plain below where the bulk of the Takeda forces would be waiting!

The plan was approved, and troops went up the mountain, however when they arrived, the Uesugi, whether through having guessed the maneuvers or from having been tipped off by spies, had moved down the opposite side of the mountain in the darkness, and positioned themselves on the plain where the Takeda would not be expecting them for a another few hours.  This did not help Takeda’s cause at all.

Kenshin’s tactics for so effective that they broke through Singen’s lines and were able to personally attack the Takeda himself who received some cuts until some of his bodyguards were able to come to his aid and help fight of Kenshin himself as well as other in cadre.

The battle was costly for both sides.  a costly battle for both sides. Kenshin had lost 72 percent, or roughly 12,960 men, while Shingen, although taking 3,117 enemy heads as trophies, had lost 62 percent, or 12,400 men. In one of the largest battles ever fought in Japanese history, the “Crane’s Wing” formation, when executed by well-disciplined troops, could only temporarily stop that of the “winding wheel.”

Once again, these two rivals managed to fight to a stalemate—nothing ever being settled between the two they even died within months of each other.

The JPFmovie staff all recommend this film.

 
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Posted by on June 9, 2019 in Movie Reviews

 

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Two equally matched daimyo (warlords) one concerned with heaven the other concerned with earth. Part 1 of the Japanese film Heaven and Earth (1990).

JPFmovies is excited to get back to quality Asian films.  There is a reason Heaven and Earth was Japan’s number one film in 1990: it is one hell of a flick.  Most Japanese films of this genre look at the battle of Sekigahara; for those of you that don’t know this was the bloodiest battle in Japan’s history and finally united the country.  Heaven and Earth, however, centers around the battles of Kawanakajima which was series of 7 battles over 20 years between two equally matched rivals Takeda Shingen and Uesugi Kenshin that lasted until 1564.

Shingen and Kenshin could not have more contrasting leadership personalities and styles.  Kenshin fought wars “to bring peace to his people” versus Shingen who wanted to expand his empire “to the seas.”  Shingen (the more famous of the two) is often portrayed as some sort of liberator treating his people well but in truth, he was a cruel as many of the other warlords of the time-routinely massacring peasants and prisoners of war unlike Kenshin who took a higher road.

One of the main reasons Shingen wanted the lands occupied by Kenshin is because the were very fertile which was a precious commodity in Japan that does not have much agriculture.

Back to the film.  Heaven and Earth also presents the audience with two interesting items.  The first is a letter that survives to this day that Kenshin sends to his allies asking for men, equipment and other items necessary for war.  The second are two very accurate formations from each side:  Kenshin’s “Winding Wheel” vs. Shingen’s “Crane.”  The film does a great job of recreating the relatively complex fighting formations.  The winding wheel was an offensive maneuver allowing units that had become exhausted or depleted to be replaced with a fresh unit, thus enabling the attacker to maintain the force and momentum of the attack. A very carefully organized and complex maneuver, its use indicates that Kenshin’s troops must have practiced it to the point of perfection. Kenshin’s vanguard was commanded by his younger brother, Takeda Nobushige, and as Kenshin’s winding wheel fully engaged the Takeda front ranks, Nobushige was killed in the desperate close combat.

Kenshin’s leading units were mounted samurai, and as the “wheel” wound on, the pressure on Shingen’s force began to tell as unit after unit was driven back from its position. Shingen’s “crane” was an offensive formation and not designed for the defense, but the troops executing it were well disciplined and the formation was managing to hold its own.  The momentum of the “wheel” brought Kenshin within reach of the Takeda headquarters where Shingen had been fervently trying to control his hard-pressed army.  This resulted in a rare face off between the two leaders.  Shingen was personally attacked by none other than Kenshin himself.  Unable to draw his sword in time, Shingen, rising from his camp stool, was forced to parry Kenshin’s mounted sword strokes with his heavy wooden war fan. Shingen took three cuts on his body armor and a further seven on his war fan until one of his bodyguards charged forward and attacked Kenshin with a spear. The spear thrust glanced off Kenshin’s armor and struck his horse’s flank, causing the animal to rear. Several other samurai of Shingen’s guard then arrived and together they managed to drive Kenshin off.

Exciting?  Yes! And by all accounts as historically accurate as one can really get looking back hundreds of years.  Stay tuned for part 2 of the Heaven and Earth review.  Next time we’ll look at the Wheel vs. the Crane too!

 
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Posted by on May 29, 2019 in Movie Reviews

 

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We here at JPFmovies hear a lot about Manga—though we have never read one they seem to be the basis for a lot of Japanese films. So let’s take a look at some more Manga that have made it to the big screen. Samurai Commando Mission 1549 (2005).

Yes JPFmovie fans by your request we are going to look at some more manga books that have evolved to the big screen.  This manga series focusing on the adventures of a modern-day Japan Ground Self-Defense Force (Japan’s army) unit that accidentally travels through time to the Warring States period of Japanese history.

 

The Japanese army unit is conducting an experiment which is meant to shield military equipment from the effects of solar flares with the use of electromagnetic shields. However, these shields open a time portal and all soldiers assigned to the test suddenly find themselves stranded on a battlefield in the Sengoku period (the year 1549) and under attack by a samurai army.  Initially a number of the soldiers are killed which was not a bight move by the primitive warriors as the soldiers retaliate with modern formidable arsenal.  Several hours later, a reverse effect occurs, and a wounded samurai warrior suddenly appears in the 21st century.

Following so far?  Fast forward a couple of years and black holes are starting to appear all over Japan—the result of a changing timeline as the modern soldiers live and operate in the past.  Well the Army needs to do something to prevent the destruction of what is modern day Japan.

Conditions are right to repeat the experiment and send a new unit back in time to bring back the stranded soldiers in an effort to stop the potential destruction of modern day Japan.  Well the samurai brought forward in time has been living here for a couple of years and after suffering some culture shock is chomping at the bit to go back to his own time and resume his place as a samurai.  Well we see the unit prepare to go back in time and set thing right, but some frustrating precautions are taken.  For instance, the soldiers are bringing non-lethal bio-degradable bullets in an effort to minimize their footprint.  Fools!  They are going into one of the most violent times in history and they are worried about biodegradable bullets?

 

When the newcomers first arrive back in time they are ambushed by a bunch of samurai just waiting to kill them.  It seems that the first bunch of soldiers have used their technology to take over with the unit commander killing the powerful warlord Oda Nobunaga and taking his place.  These soldiers have used their modern technology to not only survive but to conquer and have started building things like a refinery and a bomb that will destroy half of Mount Fuji since these guys want to rewrite Japanese history.  Also with their advanced technology they have been able to upkeep their equipment and weapons.

Long story short there is a struggle between the soldiers trying to conquer Japan and change history and our newcomers who want to restore the timeline.  With the window for the people to return to the future closing a battle of wits and new and old technology rages.  After destroying the oil refinery the base of operations for the soldiers bent on changing the timeline is destroyed and the people barely make it back to the future so to speak.

 

Yeah the movie is kind of predictable but it does look at one of the scenarios that probably everyone has thought at one time or another; that is, what would happen if somehow modern day military technology were transported back in time and used against primitive weapons.  The JPFmovies staff is currently researching this issue but there have been several American movies that have sent modern day aircraft carriers back to Pearl Harbor for instance and how it would change the outcome of history.  Besides it is also kind of fun to see modern day weapons devastate primitive “screw heads” as Bruce Campbell put it in Army of Darkness.

It is a lite film, predictable but not unwatchable.

 
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Posted by on May 1, 2019 in Movie Reviews

 

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Shogun the miniseries (1980) starring Richard Chamberlin, Torisho Mifune, John Rhys-Davies and others. One of the great miniseries of all time.

I was getting a lot of static about the number of Japanese films I’ve been watching lately so I decided to relent.  But I still wanted to enjoy the Japanese tales of the samurai then it occurred to me: Shogun the miniseries.  I was still a child when I remember when my parents watched it and I liked it back then.  So I obtained all 12 hours of the series and watched it without complaint from other because the main language was English though there was lots of Japanese spoken in it.  One of the neat film devices used in the episodes what the lack of subtitles whenever Japanese was spoken as it was from the main characters point of view (Richard Chamberlin as an English ship pilot).  I also decided to get the book and the author (legendary James Clavel) also provided no translation from the Japanese “spoken” in the novel.

During the original airing, the network ran the episodes five days in a row.  The first and last episodes (each three hours) and the three in the middle (each 2 hours) garnered about 24-25 million viewers—an average of about 32-33 nielson rating.  Talk about a marathon, I don’t think the networks would have the guts to run a series like that again.  By that I mean they would probably do one episode a week and break it up into one hour segments.  If that were to happen I believe it would totally take away from the flavor of the series.  The book (about 1200 pages) is even better than the series though both in my opinion are legendary works especially for their time.

The cast:  Richard Chamberlin, who needs no introduction, went on to make the Thorn Birds after this epic, Torisho Mifune, Japans legendary film star for probably 40 years prior to Shogun and anyone who watched Star Trek Voyager knows John Rhys-Davies (cast as Da Vinci in Voyager an often seen guest in Capt. Janeway’s hologram fantasies) playing the flamboyant Portuguese ship pilot Vasco Rodrigues.  There are more of course but these three are the best known.

After his Dutch trading ship Erasmus and its surviving crew is blown ashore by a violent storm at Injiro on the east coast of Japan, Pilot-Major John Blackthorne, the ship’s English navigator, is taken prisoner by samurai warriors. When he is later temporarily released, he must juggle his self-identity as an Englishman associated with other Europeans in Japan, namely Portuguese traders and Jesuit priests, with the alien Japanese culture into which he has been thrust and now must adapt to in order to survive. Being an Englishman, Blackthorne is at both religious and political odds with his enemy, the Portuguese, and the Catholic Church’s Jesuit order. The Catholic foothold in Japan puts Blackthorne, a Protestant and therefore a heretic, at a political disadvantage. But this same situation also brings him to the attention of the influential Lord Toranaga, who mistrusts this foreign religion now spreading in Japan. He is competing with other samurai warlords of similar high-born rank, among them Catholic converts, for the very powerful position of Shōgun, the military governor of Japan.

Through an interpreter, Blackthorne later reveals certain surprising details about the Portuguese traders and their Jesuit overlords which forces Toranaga to trust him; they forge a tenuous alliance, much to the chagrin of the Jesuits. To help the Englishman learn their language and to assimilate to Japanese culture, Toranaga assigns a teacher and interpreter to him, the beautiful Lady Mariko, a Catholic convert, and one of Toranaga’s most trusted retainers. Blackthorne soon becomes infatuated with her, but Mariko is already married, and their budding romance is ultimately doomed by future circumstances.

Blackthorne saves Toranaga’s life by audaciously helping him escape from Osaka Castle and the clutches of his longtime enemy, Lord Ishido. To reward the Englishman for saving his life, and to forever bind him to the warlord, Toranaga makes Blackthorne hatamoto, a personal retainer, and gifts him with a European flintlock pistol. Later, Blackthorne again saves Toranaga’s life during an Earthquake by pulling him from a fissure that opened and swallowed the warlord, nearly killing him. Having proved his worth and loyalty to the warlord, during a night ceremony held before a host of his assembled vassals and samurai, Lord Toranaga makes Blackthorne a samurai; he awards him the two swords, 20 kimonos, 200 of his own samurai, and an income-producing fief, the fishing village Anjiro where Blackthorne was first blown ashore with his ship and crew. Blackthorne’s repaired ship Erasmus, under guard by Toranaga’s samurai and anchored near Kyoto, is lost to fire, which quickly spread when the ships’ night lamps were knocked over by a storm tidal surge. During a later attack on Osaka Castle by the secretive Amida Tong (Ninja assassins), secretly paid for by Lord Ishido, Mariko is killed while saving Blackthorne’s life, who’s temporarily blinded by the black powder explosion that kills his lover.

As Shōgun concludes, Blackthorne is supervising the construction of a new ship, The Lady; it is being built with funds Mariko left to him in her will for this very purpose. Blackthorne is observed at a distance by Lord Toranaga; a voice over reveals the warlord’s inner thoughts: It was he who ordered the Erasmus destroyed by fire, not from a tidal surge, in order to keep Blackthorne safe from his Portuguese enemies who feared his actions with the ship; Blackthorne still has much to teach Toranaga. And, if need be, the warlord will destroy the ship Blackthorne is currently building. He also discloses Mariko’s secret but vital role in the grand deception of his enemies, and, as a result, how she was destined to die gloriously in Osaka Castle and live forever, helping to assure his coming final victory. The warlord knows that Blackthorne’s karma brought him to Japan and that the Englishman, now his trusted retainer and samurai, is destined never to leave. Toranaga also knows it is his karma to become Shōgun.

In the miniseries epilogue it is revealed that Toranaga and his army are triumphant at the Battle of Sekigahara; he captures and then disgraces his old rival, Lord Ishido, and takes 40,000 enemy heads, after which he then fulfills his destiny by becoming Shōgun.

The story has most of the elements of the warring states period and the rise of Tokugawa Ieyasu to Shogun.  He was one of the lords who pledged to take care of the Taiko, he also won the Battle of Sekigahara so anyone who is even slightly versed in this area of history can see the parallels.  It is a great series, take the time to watch it you won’t regret it.

 
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Posted by on November 12, 2015 in Movie Reviews

 

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