RSS

Tag Archives: Manga

We here at JPFmovies hear a lot about Manga—though we have never read one they seem to be the basis for a lot of Japanese films. So let’s take a look at some more Manga that have made it to the big screen. Samurai Commando Mission 1549 (2005).

Yes JPFmovie fans by your request we are going to look at some more manga books that have evolved to the big screen.  This manga series focusing on the adventures of a modern-day Japan Ground Self-Defense Force (Japan’s army) unit that accidentally travels through time to the Warring States period of Japanese history.

 

The Japanese army unit is conducting an experiment which is meant to shield military equipment from the effects of solar flares with the use of electromagnetic shields. However, these shields open a time portal and all soldiers assigned to the test suddenly find themselves stranded on a battlefield in the Sengoku period (the year 1549) and under attack by a samurai army.  Initially a number of the soldiers are killed which was not a bight move by the primitive warriors as the soldiers retaliate with modern formidable arsenal.  Several hours later, a reverse effect occurs, and a wounded samurai warrior suddenly appears in the 21st century.

Following so far?  Fast forward a couple of years and black holes are starting to appear all over Japan—the result of a changing timeline as the modern soldiers live and operate in the past.  Well the Army needs to do something to prevent the destruction of what is modern day Japan.

Conditions are right to repeat the experiment and send a new unit back in time to bring back the stranded soldiers in an effort to stop the potential destruction of modern day Japan.  Well the samurai brought forward in time has been living here for a couple of years and after suffering some culture shock is chomping at the bit to go back to his own time and resume his place as a samurai.  Well we see the unit prepare to go back in time and set thing right, but some frustrating precautions are taken.  For instance, the soldiers are bringing non-lethal bio-degradable bullets in an effort to minimize their footprint.  Fools!  They are going into one of the most violent times in history and they are worried about biodegradable bullets?

 

When the newcomers first arrive back in time they are ambushed by a bunch of samurai just waiting to kill them.  It seems that the first bunch of soldiers have used their technology to take over with the unit commander killing the powerful warlord Oda Nobunaga and taking his place.  These soldiers have used their modern technology to not only survive but to conquer and have started building things like a refinery and a bomb that will destroy half of Mount Fuji since these guys want to rewrite Japanese history.  Also with their advanced technology they have been able to upkeep their equipment and weapons.

Long story short there is a struggle between the soldiers trying to conquer Japan and change history and our newcomers who want to restore the timeline.  With the window for the people to return to the future closing a battle of wits and new and old technology rages.  After destroying the oil refinery the base of operations for the soldiers bent on changing the timeline is destroyed and the people barely make it back to the future so to speak.

 

Yeah the movie is kind of predictable but it does look at one of the scenarios that probably everyone has thought at one time or another; that is, what would happen if somehow modern day military technology were transported back in time and used against primitive weapons.  The JPFmovies staff is currently researching this issue but there have been several American movies that have sent modern day aircraft carriers back to Pearl Harbor for instance and how it would change the outcome of history.  Besides it is also kind of fun to see modern day weapons devastate primitive “screw heads” as Bruce Campbell put it in Army of Darkness.

It is a lite film, predictable but not unwatchable.

 
Leave a comment

Posted by on May 1, 2019 in Movie Reviews

 

Tags: , , , , , , , , , , , ,

Remember Tom Cruise and Michael Caine in Cocktail? Yeah it was an awful movie but leave it to the Japanese to produce a miniseries about bartenders and make it work! Bartender (2011).

Hello JPFmovies fans and welcome to another review of something a little different.  The JPFmovies staff remembers watching Tom Cruise and Michael Caine in the 1988 film Cocktail and wondering just how low Michael Caine could go after his stellar performance in Blame it on Rio (1984) and rolling our eyes at the thin plot, predictable ending and an overall shitty film—but of course earned a ton of money.  After that fiasco, members of the JPFmovies staff were certain that we had seen the last of media glorifying bartenders who, according to Michael Caine were “the aristocrats of the working class.”  However, in our relentless efforts to review the good, the bad and the ugly the JPFmovies staff was pleasantly surprised to stumble upon Bartender (2011) a Japanese mini-series based on a manga of the same name.

Ryu Sasakura (Masaki Aiba) is a bar tending prodigy who won a European cocktail contest. He got into an argument with his instructor and was fired. In a state of dejection he came back to his native country of Japan.  He finds work again in Tokyo and also meets Miwa Kurushima. Meanwhike, Ryu Sasakura is able to listen to his customer’s problems and help alleviate their worries with his special cocktail mixes including work and love and family troubles, one drink at a time.  Our bar tending prodigy even takes on a disciple and enters him into a contest—only to have his lose magnificently!

Why is the Japanese series tolerable?  Because it does not portray the bartender as some flamboyant circus performer out to land a babe, some cash or another material recompense but a person who takes his craft seriously and listens to his patrons without judgment while providing honest, simple advice.  He even goes so far as to track the water used in a customer’s hometown to make the drink authentic.  What more could you want in a bartender?  No Ryu was not flinging glasses three feet in the air while dancing to some 80’s rock, he made his drinks with precision, attention to detail and an eye to match the booze with its drinker.  A consummate professional.  This is not a heavy and gritty film that makes you sweat, but a nice lite series that provides a decent respite from the world today, much like going to your favorite watering hole.  Take a few hours and watch it, you will be glad you did.

 
2 Comments

Posted by on April 26, 2019 in Movie Reviews

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , ,

We here at JPFmovies had the pleasure of getting a first-hand entertainment perspective from an expatriate who splits time between the US and Japan. It was a very interesting conversation and, as a tribute to our mutual love of Japanese media, let’s take a look at a series known as Bengoshi no Kuzu, loosely translated as Scum of Lawyers (2006).

As anyone who follows the JPFmovies site knows, we have a certain affinity for Asian entertainment, firmly believing that Hollywood has lost its creativity and sold out to the lowest common denominator of film viewers. Whereas over the past couple years we’ve seen what’s been known as “riding the Korean wave,” referring to the fine entertainment coming out of South Korea as well as Japan and Hong Kong—Asia’s contributions to what has become, in our opinion, a superior form of entertainment.  We firmly intend to express the downfall of Hollywood Cinema as we know it at the 2018 Raspberry Awards, where we will vote on the worst movies made by Hollywood in numerous categories. But more on that later. Let’s get to the show.

 

Like many Japanese TV shows and films, Bengoshi no Kuzu is based on a manga.  What sets this drama, or should we say comedy drama, about the practice of law apart from your typical series glorifying the legal profession (which in reality is a grind), is that in the Scum of Lawyers, the main character will do just about anything if it means he can win.  This guy is a high school drop-out, lover of money, booze, and women, and has a rude demeanor and a vulgar mouth.  He has a totally different perspective on the law, and more importantly justice, in that he believes that lawyers aren’t on the side of justice, the law isn’t meant to punish people, it’s meant to save them! At least, that’s this guy’s secret motto. This back-alley lawyer seems to know all the scams and has to take on the firm’s new associate, who works his way through a number of cases, which proves that the scum bag attorney’s theory is right in the end.  By ferreting out these cons, that both plaintiffs and defendants are trying to use the legal system for, he opens his naïve associate’s eyes as to what Justice can really mean.

It is especially interesting to watch him go up against blue chip law firms while picking his nose in their conference rooms, only to expose his opponent’s client’s veiled attempt to somehow cheat the system and, more importantly, his client.  Perhaps what makes this scum bag lawyer’s intuition so keen is that he is in fact a (or at least a reformed) con artist who hasn’t left many of his bad habits behind him: he loves gambling, money, women, booze, and pretty much any other vice you can think, of he’s got his finger in it.  Being able to understand the scammer’s mind obviously gives him the edge he needs to win cases.  He practically falls asleep in court while waiting to cross-examine his opponent because he has already figured out what their devious, self-serving testimony is going to be and has a plan to expose it.  And during about half of his meetings with clients or opposing counsel, he is as hung over as a sailor back from shore leave.

See the following clip for an example of the scum lawyer figuring out his own client’s deception in order to get a novel she wrote published, which was plagiarized by an actress/model because his client was “attractive.”  It was a very sophisticated plot indeed—but con artists think alike.

The show, however is not only about him. The senior partner of the firm is a children’s and human rights advocate who gives the firm a veneer of respectability, and there is the competent hard-working experienced female attorney that our young associate often looks to for guidance while he is stuck in these moral quagmires that the scum bag has got them into.

There are also some support staff who allow selective sexual harassment and generally add to the humor of the show.  The show ran for about 12 episodes and all of them were good.  If you get a chance, watch Scum of Lawyers. It is a nice change of pace from your typical legal drama.

 
Leave a comment

Posted by on July 20, 2017 in Movie Reviews

 

Tags: , , , , , , , , , , , , , , , , ,

Let’s get back to some quality Asian entertainment: Ogon no Buta a/k/a The Golden Pig (2010) a 9 part Japanese T.V. series. Any show named after swine has got to be interesting.

Lately the movie reviews posted here at JPFmovies have been western entertainment—something we typically take a dim view of given the current state of the (mainly) American entertainment industry.  So, our dedicated reviewers embarked on a search for some Asian media worth taking a look at.  We found an often overlooked Japanese T.V. series entitled The Golden Pig—intrigued by the show’s title we couldn’t resist taking a look.

First a quick discussion of the genre The Golden Pig and many other well-liked Japanese series embody.  In Japan, many shows/movies are based on “manga.”  For those who don’t know, a manga is a style of Japanese comic book or graphic novel, aimed at adults as well as children.  Manga covers the entire spectrum of topics from super-heroes to business to adult themed sexuality.  When a manga becomes popular enough it is often made into an animated series or a live T.V. show and maybe even a movie.  One subset of the manga world is a variation of westerns and samurai ronin genre where the protagonist gets “transferred” into a corrupt environment and brings about change.  This story-line is termed the “extended transfer student” genre and is a staple of J-drama which serves as a channel for social commentary and criticism while Japanese society stagnates through political corruption and social rigidness.

The Golden Pig is an “extended transfer student” Japanese drama series set in the government’s internal auditor agency (the equivalent of the U.S. Inspector General’s Office).  The Board of Audit’s Special Investigations Division hunts down civil servants that cheat and waste the tax payer’s money.  The Golden Pig’s main character, Shinko, is a former con artist that is hired by one of the Division’s maverick commissioners.  When we say Shinko is a former con artist we mean it-she has spent several years in prison and the terms of her parole are quite strict.  Hardened by her time in the joint, she is not intimidated by power or influence and mercilessly pursues corrupt officials.  When she is brought into the agency’s fold, Shinko is paired up with an elite rookie who is a graduate of Tokyo University and comes from a distinguished family of government officials.  Naturally, the friction between the savvy and street-smart Shinko and her blue-blooded colleague provides some great entertainment as Shinko is able to use her criminal experience to quickly sniff out scams while her partner’s head is often stuck in an ivory tower so to speak.

The series also examines the politics of power within the civil service itself.  The episodes explore the rough waters that career civil servants must navigate in order to be promoted or else they can end up in a “window” position; that is, the unlucky civil servant is essentially stuck in a room looking out of the window with nothing to do.  The potential for the career civil servants to be passed over for promotion can lead them to back-off or otherwise close their eyes to corruption if the investigation involves a very politically connected or powerful person.  Again, this conflicts with Shinko’s scorched earth policy and her idealistic partner’s naivete with respect to the blow-back that happen when someone too powerful is provoked into taking action to save their own skin.

While the viewer may think that the formula for each episode is the same i.e. after some maneuvers by both the division investigators and the cheaters, the good guys win in the end you would be sorely mistaken.  While each episode ends with exposition of the case, if you are paying attention, the penalties for embezzling millions of dollars’ worth of Japanese yen is quite lite.  In truth, it is the government white washing the whole thing so it maybe a relief when the gang does not always go for the big shots involved with the central government which is actually mentioned in the series.  This is usually when Shinko pulls out her trademark big shiny blinged out calculator to sum up the total amount of money embezzled.

In sum, “Ogon no Buta” is a great and fun series.  It has great characters, interesting cases, and over the top villains that everyone loves to hate.  But don’t take our word for it, JPFmovies reviewer at large SJ thinks:

JPFmovies:     SJ so what is your overall opinion of The Golden Pig?

SJ:       It is excellent!

JPFmovies:     What do you think of the series main character being a convicted swindler?

SJ:       It is cool to compare how a thief would do things versus fancy people in suits.

JPFmovies:     Is this your favorite Japanese T.V. series?

SJ:       Yeah.

JPFmovies:     Why?

SJ:       Spaghetti squash (a character nick named by Shinko).

JPFmovies:     Who is your favorite villain?

SJ:       The scientist lady because she wasn’t actually a bad person but they had to punish her anyways because that is their job (Note a famous scientist who misuses government grant money).

JPFmovies:     Does The Golden Pig remind you of any American T.V. series?

SJ:       Yeah “Psyche” because they are both a “commoner” who has to work with officials to fight crime.

JPFmovies:     Very interesting.

JPFmovies:     Is there anything you would like to add?

SJ:       Um . . . make sure you calculate the conversion rate from yen to dollars so you know how much was stolen.

 
Leave a comment

Posted by on May 31, 2017 in Movie Reviews

 

Tags: , , , , , , , , , , , , , ,

Lone Wolf & Cub VI–We Still Need Closure or How to Get Your Daughter Killed.

Lone Wolf and Cub: White Heaven in Hell is the final in a batch of six Japanese martial arts films based on the long-running Lone Wolf and Cub manga series about Ogami Ittō, a wandering assassin accompanied by his young son, Daigoro.  As most of his family is already dead at Ogami’s hands, Retsudo (the head of the evil Yagyu and archenemy of Itto) makes a last ditch effort to destroy Itto by sending: Hyouei, an illegitimate son who practices the black arts, and Kaori, a female expert in the lethal art of knives.  In the only truly supernatural aspect of the series, Hyouei wages psychological warfare on Ogami and Daigoro, by killing any innocent person the pair come into contact with.  The Lone Wolf and Cub are forced into a truly solitary existence in order to save the innocent victims from harm. 

 

Ogami dispatches with the daughter rather quickly, but things are a little more complicated when dealing with the supernatural.  Needless to say, Ogami comes through, but not before the stoic Ogami becomes unnerved and expresses fear for the first time.  The big battle takes place on a snowy mountain, where the baby cart becomes a sled.  Ittō defeats the entire army, shooting, stabbing, slashing, dismembering, and beheading the entire bunch using Musashi’s two sword technique.  But the one-eyed Retsudo again gets away, vowing to kill Ittō another time and while exhilarating, it lacks the closure followers so eagerly needed.

 

It should be noted that Ogami Ittō has 150 on screen kills in this film, the most of any individual character in a movie.

 

While boasting one of the most memorable battles ever filmed, the final installment in the Lone Wolf and Cub series came as somewhat of a disappointment as I was anticipating a final confrontation between Ogami and Lord Retsudo Yagyu.  Alas, this battle never occurs.  According to legend, the reason for this omission is that the entire six-film series was filmed between 1972 and 1973, while the manga was still a work in progress.  There could be no conflict between the film and the manga so the makers of Lone Wolf & Cub had to work with that they had.  Though the manga version does have a final showdown between Ogami and Lord Yagyu, it was not published until 1976.  Because this had not been published yet, White Heaven in Hell lacks the closure that everyone was looking for.

Looking back on the series it is truly one of a kind.  But the reason this review is much shorter than the other Lone Wolf and Cub editorials, is because there is a lot less to talk about.  The film seems rushed, written in a hurry with no clear plot in mind.  Of course, the body count is high, but the first five films offer much more in terms of story and character development.  However, the makers were under pressure and probably did the best they could under the circumstances.  Anyways, I was one of what I am sure are many fans that was wondering if the film or the film series was really over.  There needed to be a confrontation between the two to settle the score otherwise Itto would keep wandering and Retsudo would simply keep trying to kill him.

 

Be that as it may, we made it through was is almost universally accepted by Asian film watchers as one of the finest series of that genre.

 

Next up  . . . it will be an American Comedy.

 
Leave a comment

Posted by on May 1, 2012 in Movie Reviews

 

Tags: , , , , , , , ,

 
%d bloggers like this: