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Ok JPFmovie fans here is Part 2 of Heaven and Earth (1990).

In part one of the Heaven and Earth review we talked about how equally matched these 2 warlords were.  Now we are going to look at what is probably a pretty authentic recreation of the battle formations used during that period of Japanese history.

Kenshin’s “Winding Wheel” vs. Shingen’s “Crane.”

We briefly discuss to the “Winding Wheel” employed by Kenshin and Singen’s “Crane” technique.  According to Japanese historian Stephen Turnbull the “Kuruma gakari” (wheel) this formation, drawn like a spiral, envisages successive units of an army being brought against the enemy ‘as the wheel winds on’.  It is famously described in the Koyo Gunkan as being the formation adopted by Uesugi Kenshin for his dawn attack against Takeda Shingen at the fourth battle of Kawanakajima in 1561. It is essentially an idealized representation of a tactical move that replaces tired units by fresh ones without breaking the momentum.

Singen’s The Woodpecker pecks at the tree, and the vibrations scare the insect out so he can eat it. Kansuke (a Singen General) suggested sending a garrison up the mountain by a round-about route late at night to “peck” at the Kenshin’s troops in the early hours, flushing them down to the plain below where the bulk of the Takeda forces would be waiting!

The plan was approved, and troops went up the mountain, however when they arrived, the Uesugi, whether through having guessed the maneuvers or from having been tipped off by spies, had moved down the opposite side of the mountain in the darkness, and positioned themselves on the plain where the Takeda would not be expecting them for a another few hours.  This did not help Takeda’s cause at all.

Kenshin’s tactics for so effective that they broke through Singen’s lines and were able to personally attack the Takeda himself who received some cuts until some of his bodyguards were able to come to his aid and help fight of Kenshin himself as well as other in cadre.

The battle was costly for both sides.  a costly battle for both sides. Kenshin had lost 72 percent, or roughly 12,960 men, while Shingen, although taking 3,117 enemy heads as trophies, had lost 62 percent, or 12,400 men. In one of the largest battles ever fought in Japanese history, the “Crane’s Wing” formation, when executed by well-disciplined troops, could only temporarily stop that of the “winding wheel.”

Once again, these two rivals managed to fight to a stalemate—nothing ever being settled between the two they even died within months of each other.

The JPFmovie staff all recommend this film.

 
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Posted by on June 9, 2019 in Movie Reviews

 

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We here at JPFmovies hear a lot about Manga—though we have never read one they seem to be the basis for a lot of Japanese films. So let’s take a look at some more Manga that have made it to the big screen. Samurai Commando Mission 1549 (2005).

Yes JPFmovie fans by your request we are going to look at some more manga books that have evolved to the big screen.  This manga series focusing on the adventures of a modern-day Japan Ground Self-Defense Force (Japan’s army) unit that accidentally travels through time to the Warring States period of Japanese history.

 

The Japanese army unit is conducting an experiment which is meant to shield military equipment from the effects of solar flares with the use of electromagnetic shields. However, these shields open a time portal and all soldiers assigned to the test suddenly find themselves stranded on a battlefield in the Sengoku period (the year 1549) and under attack by a samurai army.  Initially a number of the soldiers are killed which was not a bight move by the primitive warriors as the soldiers retaliate with modern formidable arsenal.  Several hours later, a reverse effect occurs, and a wounded samurai warrior suddenly appears in the 21st century.

Following so far?  Fast forward a couple of years and black holes are starting to appear all over Japan—the result of a changing timeline as the modern soldiers live and operate in the past.  Well the Army needs to do something to prevent the destruction of what is modern day Japan.

Conditions are right to repeat the experiment and send a new unit back in time to bring back the stranded soldiers in an effort to stop the potential destruction of modern day Japan.  Well the samurai brought forward in time has been living here for a couple of years and after suffering some culture shock is chomping at the bit to go back to his own time and resume his place as a samurai.  Well we see the unit prepare to go back in time and set thing right, but some frustrating precautions are taken.  For instance, the soldiers are bringing non-lethal bio-degradable bullets in an effort to minimize their footprint.  Fools!  They are going into one of the most violent times in history and they are worried about biodegradable bullets?

 

When the newcomers first arrive back in time they are ambushed by a bunch of samurai just waiting to kill them.  It seems that the first bunch of soldiers have used their technology to take over with the unit commander killing the powerful warlord Oda Nobunaga and taking his place.  These soldiers have used their modern technology to not only survive but to conquer and have started building things like a refinery and a bomb that will destroy half of Mount Fuji since these guys want to rewrite Japanese history.  Also with their advanced technology they have been able to upkeep their equipment and weapons.

Long story short there is a struggle between the soldiers trying to conquer Japan and change history and our newcomers who want to restore the timeline.  With the window for the people to return to the future closing a battle of wits and new and old technology rages.  After destroying the oil refinery the base of operations for the soldiers bent on changing the timeline is destroyed and the people barely make it back to the future so to speak.

 

Yeah the movie is kind of predictable but it does look at one of the scenarios that probably everyone has thought at one time or another; that is, what would happen if somehow modern day military technology were transported back in time and used against primitive weapons.  The JPFmovies staff is currently researching this issue but there have been several American movies that have sent modern day aircraft carriers back to Pearl Harbor for instance and how it would change the outcome of history.  Besides it is also kind of fun to see modern day weapons devastate primitive “screw heads” as Bruce Campbell put it in Army of Darkness.

It is a lite film, predictable but not unwatchable.

 
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Posted by on May 1, 2019 in Movie Reviews

 

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Remember Tom Cruise and Michael Caine in Cocktail? Yeah it was an awful movie but leave it to the Japanese to produce a miniseries about bartenders and make it work! Bartender (2011).

Hello JPFmovies fans and welcome to another review of something a little different.  The JPFmovies staff remembers watching Tom Cruise and Michael Caine in the 1988 film Cocktail and wondering just how low Michael Caine could go after his stellar performance in Blame it on Rio (1984) and rolling our eyes at the thin plot, predictable ending and an overall shitty film—but of course earned a ton of money.  After that fiasco, members of the JPFmovies staff were certain that we had seen the last of media glorifying bartenders who, according to Michael Caine were “the aristocrats of the working class.”  However, in our relentless efforts to review the good, the bad and the ugly the JPFmovies staff was pleasantly surprised to stumble upon Bartender (2011) a Japanese mini-series based on a manga of the same name.

Ryu Sasakura (Masaki Aiba) is a bar tending prodigy who won a European cocktail contest. He got into an argument with his instructor and was fired. In a state of dejection he came back to his native country of Japan.  He finds work again in Tokyo and also meets Miwa Kurushima. Meanwhike, Ryu Sasakura is able to listen to his customer’s problems and help alleviate their worries with his special cocktail mixes including work and love and family troubles, one drink at a time.  Our bar tending prodigy even takes on a disciple and enters him into a contest—only to have his lose magnificently!

Why is the Japanese series tolerable?  Because it does not portray the bartender as some flamboyant circus performer out to land a babe, some cash or another material recompense but a person who takes his craft seriously and listens to his patrons without judgment while providing honest, simple advice.  He even goes so far as to track the water used in a customer’s hometown to make the drink authentic.  What more could you want in a bartender?  No Ryu was not flinging glasses three feet in the air while dancing to some 80’s rock, he made his drinks with precision, attention to detail and an eye to match the booze with its drinker.  A consummate professional.  This is not a heavy and gritty film that makes you sweat, but a nice lite series that provides a decent respite from the world today, much like going to your favorite watering hole.  Take a few hours and watch it, you will be glad you did.

 
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Posted by on April 26, 2019 in Movie Reviews

 

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Now for something completely different. JPFmovies is back after a long break to regroup and refocus on what quality entertainment may be out there as well as point out the crap—the original mission of JPFmovies. A foray in SCI-FI.

Here at JPFmovies we rarely look into SCI-FI—yes we have a bit of an institutional bias towards SCI-FI entertainment.  That said, due to SJ & EJ’s insistence on watching significant amounts of SCI-FI programming and of course the availability of Netflix binging, the JPFmovie writers and reviewers are now ready to competently review past and present SCI-FI franchises.

Here is what we are looking at.  Ascension—the Syfy miniseries that aired in 2014 about a generational spaceship modeled after the military Orion Project from the late 1950’s through the 1960’s.  As well as three of the major Star Trek spin-off TV series from the 1990’s (Deeps Space 9 and Voyager) until 2004 the fourth and last season of Star Trek Enterprise.  Why are we looking at the three Star Trek TV series you may ask?  In honor of the highly-anticipated Star Trek re-birth “Discovery” which is supposed to debut this year.

Where do we start?  Well according to SJ the choice is easy:  Deep Space 9 a/k/a DS-9.  Why?  Because it is the first one chronologically running from 1993 until 1999.

JPFmovies:  SJ what do you have to say about DS-9?

SJ:  It went places the other series didn’t.  It explored religion for instance but it was a little problematic that all the Bajoran’s had the same faith.

JPFmovies:  You also mentioned that the series was funny?

SJ: Yeah it was probably the funniest series.

JPFmovies:  Well how do you reconcile that statement with the fact that DS-9 dealt with some pretty dark themes like war and religion.

SJ: Well it had darker themes but also lightened up with episodes like “little green men,” “take me out to the hollo-suite” and “trials and tribblelations.”

JPFmovies:  Who was your favorite character on DS-9?

SJ:  Simple Dax.

JPFmovies:  You said that without hesitation.

SJ:  Yeah she is awesome.

JPFmovies:   What did you like most about DS-9?

SJ:  Ah . . . it’s hard to say.  I suppose it had sort of a diverse like episode topics going from fun to war to episodes about different cultures and romances with all of the characters.  Though I am not fan of that but some people like.

JPFmovies:  What did you like least about DS-9?

SJ:  Ah . . . it sort of there is only one religion for the Bajoran’s and it didn’t even have a name.

JPFmovies:  How would you describe the first two seasons of DS-9?

SJ: The first 2 seasons are O.K. but it definitely gets better with time.

JPFmovies:  How does it get better?

SJ:  Um the characters go more in-depth the plots get more interesting.  It goes from minor conflicts to major conflicts.

JPFmovies:  What do you say to the statement that they had to bring in a character (Warf) from Star Trek the Next Generation to keep the show’s ratings afloat?

SJ:  I think that Warf brought a lot to the show. I love Warf I can see how they needed someone that people were familiar with to keep the ratings afloat.

JPFmovies:  What do you have to say about DS-9’s original theme that it was supposed to be a western?

SJ:  I think it would have been hilarious, but it’s not super Star Trekkie—I mean Star Trek is not a western.

JPFmovies:  Reading things about the show now, how do you react to the statement that Dr. Bashir was for the series first 2 years almost removed?

SJ:  Yeah I could see that he was my least favorite character he was really annoying.  He really didn’t have much of a character they made him be more of a person with the Section 31 episodes.

JPFmovies: What was the deal with Captain Sisko’s evolution from a guy with a full head of hair to a bald man with a go-tee?

SJ:  How so?  I mean he shaved his head and grew a go-tee.

JPFmovies:  Well you have to admit that in a TV series that is pretty unusual.

SJ:  Yeah that is true but remember with the Next Generation and Riker’s beard it became a saying that a show got good when it “grew a beard.”

JPFmovies:  How do you respond to a 2007 interview with iF Magazine, where George Takei, who had played the character Hikaru Sulu in The Original Series, criticized DS-9 for being the polar opposite of Gene Roddenberry’s philosophy and vision of the future?

SJ:  I think that Gene Roddenberry’s vision of the future . . . well when DS-9 was made it was outdated by then.   When you look at the original series it’s not super great with feminism and that.

JPFmovies:  Where do you see the Star Trek franchise going in the future?

SJ:  Well I think it sort of veered away from what it was.  I hope that the new series is going to be more like DS-9 and TNG but I kind of doubt it.  Each series was different but had the Star Trek feeling and I think the newer movies have not had that really.

JPFmovies:  You’ve heard about the new series that is to be released this year “Discovery”?

SJ:  Yeah . . . you told me!

JPFmovies:  Where do you want to see that series go?

SJ:  Well I am not exactly sure what it is about . . . IDK I’d like it to be as progressive as DS-9 and Voyager were but not too close because it is then just a remake.

JPFmovies:  Why do you think it took 13 years to make another Star Trek series?

SJ:  I feel like it fell out popularity after Enterprise.  Um unfortunately I don’t know any Star Trek fans other than my family.  I hope there will be more Trekkies because of this new series.

JPFmovies:  Well thank you for your insights and we look forward to hearing your thoughts on our next look at Voyager.

SJ:  Thank you.

Well folks as you can see DS-9 was well received by many a SCI-FI fan.  As always we welcome your comments.

 
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Posted by on March 19, 2017 in Movie Reviews

 

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The Pentagon Wars—A Dark Comedy Worthy of Watching and Worthy of Two Clips.

“The Pentagon Wars” is an HBO produced comedy based on an adaptation of Lt. Col. James G. Burton’s 1993 book of the same name.  The story follows the development of the Bradley fighting vehicle, a troop carrier that was not only produced at great cost (in excess of 13 billion of our tax dollars) but was a totally unsafe deathtrap for the soldiers riding in it.

Kelsey Grammar plays General Partridge, the officer in charge of the Bradley’s development.  One refreshing angle of this movie is that you never confused him with his long running character Frasier for a second.  As guest columnist Charles (previous reviewer of “Avatar”) says of Grammar’s performance in this movie “he [Grammar] makes the totally indefensible not only seem plausible and but also comical.”  Richard Schiff also gives a fine performance as the original career officer trying to maintain his sanity while he watched his straightforward, common sense defense department project spiral out of control over nearly two decades into one of the most publicized and offensive examples of the military industrial complex in recent history.

One of the more theatrical moments in the Pentagon wars is Burton’s idea to use sheep to test what would happen to soldiers if the vehicle was hit by an RPG.  Burton’s test is obstructed by the General’s creation of a new (classified) department designated as “Ruminant Procurement,” requiring sheep specifications to be examined i.e. type of sheep, length of coat, gender et cetera and almost another years to actually implement the sheep specs.  Meanwhile, the army is forcing the vehicle into production despite its obvious failings.

The problems with the project were so obvious that Israel bought some, but seeing right off the bat that the vehicle as designed was a death trap, required modifications creating two production lines: one for the Israeli version and one for the flawed U.S. version: produced by its own country with the knowing enthusiasm and approval of the military!

There was only one way to play this movie, and that was as a comedy—a comedy that still carried its message.  Any other attempt would have been sorely depressing film that few would have wanted to see.

A great rose one you should see when you get the chance.

 
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Posted by on April 14, 2010 in Movie Reviews

 

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