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Shogun the miniseries (1980) starring Richard Chamberlin, Torisho Mifune, John Rhys-Davies and others. One of the great miniseries of all time.

I was getting a lot of static about the number of Japanese films I’ve been watching lately so I decided to relent.  But I still wanted to enjoy the Japanese tales of the samurai then it occurred to me: Shogun the miniseries.  I was still a child when I remember when my parents watched it and I liked it back then.  So I obtained all 12 hours of the series and watched it without complaint from other because the main language was English though there was lots of Japanese spoken in it.  One of the neat film devices used in the episodes what the lack of subtitles whenever Japanese was spoken as it was from the main characters point of view (Richard Chamberlin as an English ship pilot).  I also decided to get the book and the author (legendary James Clavel) also provided no translation from the Japanese “spoken” in the novel.

During the original airing, the network ran the episodes five days in a row.  The first and last episodes (each three hours) and the three in the middle (each 2 hours) garnered about 24-25 million viewers—an average of about 32-33 nielson rating.  Talk about a marathon, I don’t think the networks would have the guts to run a series like that again.  By that I mean they would probably do one episode a week and break it up into one hour segments.  If that were to happen I believe it would totally take away from the flavor of the series.  The book (about 1200 pages) is even better than the series though both in my opinion are legendary works especially for their time.

The cast:  Richard Chamberlin, who needs no introduction, went on to make the Thorn Birds after this epic, Torisho Mifune, Japans legendary film star for probably 40 years prior to Shogun and anyone who watched Star Trek Voyager knows John Rhys-Davies (cast as Da Vinci in Voyager an often seen guest in Capt. Janeway’s hologram fantasies) playing the flamboyant Portuguese ship pilot Vasco Rodrigues.  There are more of course but these three are the best known.

After his Dutch trading ship Erasmus and its surviving crew is blown ashore by a violent storm at Injiro on the east coast of Japan, Pilot-Major John Blackthorne, the ship’s English navigator, is taken prisoner by samurai warriors. When he is later temporarily released, he must juggle his self-identity as an Englishman associated with other Europeans in Japan, namely Portuguese traders and Jesuit priests, with the alien Japanese culture into which he has been thrust and now must adapt to in order to survive. Being an Englishman, Blackthorne is at both religious and political odds with his enemy, the Portuguese, and the Catholic Church’s Jesuit order. The Catholic foothold in Japan puts Blackthorne, a Protestant and therefore a heretic, at a political disadvantage. But this same situation also brings him to the attention of the influential Lord Toranaga, who mistrusts this foreign religion now spreading in Japan. He is competing with other samurai warlords of similar high-born rank, among them Catholic converts, for the very powerful position of Shōgun, the military governor of Japan.

Through an interpreter, Blackthorne later reveals certain surprising details about the Portuguese traders and their Jesuit overlords which forces Toranaga to trust him; they forge a tenuous alliance, much to the chagrin of the Jesuits. To help the Englishman learn their language and to assimilate to Japanese culture, Toranaga assigns a teacher and interpreter to him, the beautiful Lady Mariko, a Catholic convert, and one of Toranaga’s most trusted retainers. Blackthorne soon becomes infatuated with her, but Mariko is already married, and their budding romance is ultimately doomed by future circumstances.

Blackthorne saves Toranaga’s life by audaciously helping him escape from Osaka Castle and the clutches of his longtime enemy, Lord Ishido. To reward the Englishman for saving his life, and to forever bind him to the warlord, Toranaga makes Blackthorne hatamoto, a personal retainer, and gifts him with a European flintlock pistol. Later, Blackthorne again saves Toranaga’s life during an Earthquake by pulling him from a fissure that opened and swallowed the warlord, nearly killing him. Having proved his worth and loyalty to the warlord, during a night ceremony held before a host of his assembled vassals and samurai, Lord Toranaga makes Blackthorne a samurai; he awards him the two swords, 20 kimonos, 200 of his own samurai, and an income-producing fief, the fishing village Anjiro where Blackthorne was first blown ashore with his ship and crew. Blackthorne’s repaired ship Erasmus, under guard by Toranaga’s samurai and anchored near Kyoto, is lost to fire, which quickly spread when the ships’ night lamps were knocked over by a storm tidal surge. During a later attack on Osaka Castle by the secretive Amida Tong (Ninja assassins), secretly paid for by Lord Ishido, Mariko is killed while saving Blackthorne’s life, who’s temporarily blinded by the black powder explosion that kills his lover.

As Shōgun concludes, Blackthorne is supervising the construction of a new ship, The Lady; it is being built with funds Mariko left to him in her will for this very purpose. Blackthorne is observed at a distance by Lord Toranaga; a voice over reveals the warlord’s inner thoughts: It was he who ordered the Erasmus destroyed by fire, not from a tidal surge, in order to keep Blackthorne safe from his Portuguese enemies who feared his actions with the ship; Blackthorne still has much to teach Toranaga. And, if need be, the warlord will destroy the ship Blackthorne is currently building. He also discloses Mariko’s secret but vital role in the grand deception of his enemies, and, as a result, how she was destined to die gloriously in Osaka Castle and live forever, helping to assure his coming final victory. The warlord knows that Blackthorne’s karma brought him to Japan and that the Englishman, now his trusted retainer and samurai, is destined never to leave. Toranaga also knows it is his karma to become Shōgun.

In the miniseries epilogue it is revealed that Toranaga and his army are triumphant at the Battle of Sekigahara; he captures and then disgraces his old rival, Lord Ishido, and takes 40,000 enemy heads, after which he then fulfills his destiny by becoming Shōgun.

The story has most of the elements of the warring states period and the rise of Tokugawa Ieyasu to Shogun.  He was one of the lords who pledged to take care of the Taiko, he also won the Battle of Sekigahara so anyone who is even slightly versed in this area of history can see the parallels.  It is a great series, take the time to watch it you won’t regret it.

 
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Posted by on November 12, 2015 in Movie Reviews

 

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That is right the co-founder of JPFmovies DT comes in from out of the cold and looks at 13 Assassins (the 2010 version) Or Vigilante Justice—Samurai Style.

The film is a remake of Eiichi Kudo’s 1963 black-and-white Japanese film of the same name, Jûsan-nin no shikaku and is based on a true story.  The film opens up with a bang as a nobleman commits seppuku to make an appeal to the Shogun (it sure must have been an important appeal) because the younger brother of the current Shogun (the equivalent of a prince) is roaming the country committing atrocities against his own people.

The Shogun’s administration goes to any length to cover up the prince’s behavior to prevent embarrassing the Shogun and his lineage.  But the prince goes too far, he rapes a young lady while staying at an inn and when his deed is discovered by her newlywed husband, the prince kills him and out of shame she kills herself.  To make matters worse, to protect himself from any revenge and against direct orders from the Shogun, the prince murders all of the victims’ relatives—including women and children—save one, a women whose limbs were cut off and tongue taken out that the prince left alive as a “toy.” The senior advisor to the Shogun shows a friend of his (who was also victimized by the prince) what is left of the prince’s handiwork and gives his tacit behind the scenes directive to kill this maniac.

 

The samurai begins his mission by recruiting ten men from his own clan to volunteer for what looks like a suicide mission and even convinces his lay about nephew to join the cause (so we are at 11 assassins at this point).  After assembling these 11 warriors from within, he hires one ronin for 200 ryo (the currency at that time) and in a rather ballsy move goes to meet with his former classmate who is in charge of protecting the sadistic prince and in a roundabout way says they will soon meet on the road under combat conditions.

 

The band of assassins begins preparing themselves to carry out their mission.  They know that the prince is in transit to his home province and realize that their only chance to kill him is before the prince makes it to his castle.  While the prince’s procession is en route, they try to take a different road through the territory of another clan, but the procession is stopped at the border and told to turn around because the lord controlling the province will not have anything to do with the prince and his procession. 

 

So the procession is forced to take the conventional route which passes through a village the assassins had engineered to maximize their chances of killing the sadistic prince.  On the way to the village, the samurai get lost and come across a mountain man trapped in a tree.  They free the trapped man because they find out the man has been tied up simply for hitting on his lords wife.  To thank the samurai the mountain man offers to be their guide and get them back to the village.  Once they arrive at the village the mountain man expresses his distaste for samurais and their arrogance as well as their adherence to some abstract outdated code.  The procession begins to arrive shortly after the tongue lashing and the samurai tells the mountain man that this is not his fight and he is free to go.  The mountain man retorts that the samurai are not god’s gifts to warfare and that he is going to stay and fight to show them a thing or two by using his sling and rocks.  Because they have no time to argue, the mountain man becomes the thirteenth assassin.

 

As the battle begins the prince’s soldiers begin to die left and right, but the odds are still against the assassins as it is thirteen against 200 and they make a tactical mistake by not fully utilizing their own defenses and start to fight hand to hand before they need to.  Just watching these guys get through obstacle after obstacle to get to the prince is exciting but exhausting.  Eventually, two assassins corner the prince and kill him.  Then the mountain man (who has a short sword stuck shear through his throat) shows up and the remaining three of the 13 left leave the scene.

Back at the ranch, word of the prince’s death reaches the castle.  The administration needs to save face so they put out the official story explaining that the prince died of an illness rather than being killed by vigilantes.

Over all I think the movie kicks ass and is an all-around excellent film.  The movie not only has great martial arts action, but the story engages you to the point of making you wanting to revolt with the 13 assassins as well.  On a different level, the film relays problems of the samurai way of life, showing the huge self-imposed burdens samurais carry on their shoulders and does a very good job of depicting the amoral aspects of the samurai code.  For instance, the prince’s protector always justifies and rationalizes his conduct by saying it is not his place to question but only to obey.  The movie shows how the samurai fall because there is no room for that way of life in the modern age—because the samurai used words like honor and duty to defend the indefensible, their way of life needed to come to a close.  The irony really hits home at the end when the slacker nephew is told by his dying uncle to drop the way of the sword and seek a new way of life.  The mountain man asks the nephew what he is going to do and the nephew replies that he will become a bandit and take a boat to America. 

 

This movie also distinguishes its self because in today’s typical Hollywood film all of the loose ends would have been tied nice and neatly with the good guys winning over the evil prince and everyone goes home happy.  13 Assassins, however, does not leave you with the typical good triumphed over evil feeling.  Instead, it is more of a tragedy because all of the truly righteous samurai have died during the mission while the amoral (even corrupt) samurai depicted by the nephew survives drops the way of the sword and wants to become a bandit outside of homeland Japan.  I think the final line of the movie was brief but powerful with lots of layers that comment on the state of Japanese society.  What may look like on its face as a simple samurai ninja movie is actually a complex commentary on the inevitable changes in Japanese whether they be for better or worse.   

 
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Posted by on June 24, 2011 in Movie Reviews

 

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