Monthly Archives: March 2015

Ok here is part 2 of our look at Battle Star Galactica the Old vs. the New.

We left off with our theory that the new creators of BSG 2 took the original as a starting but really made a new original series out of it by taking the viewer into much more depth and in a much more detailed and different direction.  Yet, the original series was, in my opinion, more revolutionary in its day as it was produced on the heels of Star Wars and, though its special effects seem dated, to say the least, by today’s standards, they were cutting-edge in the late 1970s.

The original Battle Star Galactica was produced shortly after the legendary film Star Wars was released. How can you compete with that?  You can’t, but many of the special effects Lucas used were incorporated into the TV series which made the original show special effects wise superior to its contemporaries.  The story was also original.  It had the fleet of star ships with a handful of human beings running from killing machines bent on the human race’s destruction.

The new BSG took the original theme and really seemed to run with it.  The characters were much more developed, the plot line significantly more complex (for instance the institution of a civilian government) and much was talked about things other than a few Viper pilots– in relative contrast to its predecessor.

Also the musical score for BSG 2 was really much better than expected. So in short while the original was revolutionary for its time the sequel also had its own merits hence its extreme popularity and one point.

Naturally your thoughts and comments are welcome.

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Posted by on March 12, 2015 in Movie Reviews


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As you know, we here at JPFmovies take requests very seriously. Our new friend CC put in a number of requests, one of them being Atlas Shrugged Part 1 (2011). The “critics” didn’t like, but we did.

Ayn Rand’s 1957 novel Atlas Shrugged is a legend in the literary world.  Her novel is one of the foundations for laissez-faire capitalism.  Whether you agree with her or not, you would be a chump to discount the power of Rand’s writings, especially Atlas Shrugged.  I find it amazing that it took over 50 years after the book’s publication and almost 30 years after Rand died in 1982 to get this into the theaters.

The film has several interesting characters, Dagny Taggart, Vice-President in charge of her family’s old Trans-Continental rail-road, Hank Rearden an industrialist who has developed a new metal stronger and lighter that traditional steal and Ellis Wyatt, a Colorado oil man that loses the freedom to run his business the way he wants to.

The protagonist, Dagny Taggart, is clearly the brains behind the operation of the family railroad and her moronic brother is no more than a puppet and a bad one at that.  Curiously one of her top managers comes into Dagny’s office to resign.  Dagny throws money at him hoping to keep him on.  When she asks why are you leaving and that she deserves the truth, he simply responds “Who is John Galt/”

For the rest of the movie we see black and white still shots of people with their names, occupations and the date of their “disappearance.”  So who is John Galt?  Well Rand does not tell you until the last third of her 1,100 page novel.  The movie follows suit leaving the viewer with few clues revealing who John Galt is.

To my surprise, Atlas Shrugged Part I turned into an intriguing, stylish film that did not water down the Randian message in the least.   In fact, the film’s format seems to free the characters in some sense from the limitations of Rand’s prose and give more clarity and purpose to the story, while keeping its message firmly at the film’s center.

When the novel was first published in 1957, the rail industry was still a central key to the American economy.  The film takes place in the near future, starting in 2016, and cleverly uses a global energy crisis to return rail to a central position in American industry.  Economic decline has pushed American government with ever-increasing speed into interventionism and central planning.  Politicians and lobbyists scream about fairness and the need to force the wealthy to pay their share in order to show compassion.

A few titans of industry resist the momentum of socialism — or to be more accurate, the crony capitalism that precedes and abets socialism and eventually fascism (personally I am always worried about any “ism”).  Dagny Taggart needs to save her family’s railroad empire from her incompetent brother, and turns to steel producer Henry Rearden for a revolutionary new metal for aging and unreliable tracks.  Meanwhile, prominent and successful men keep disappearing without a trace, and no one knows where they have gone — except perhaps Dagny’s old flame Francisco, who may not be the dissipated playboy he seems.

The best word to describe Atlas Shrugged Part 1 is … surprising.  It’s surprisingly well-paced, surprisingly intelligent, surprisingly well-acted, and surprisingly entertaining.  Perhaps most surprising of all, it has me thinking about my intellectual roots.  Let’s be clear, the film is not for everyone, but then again what film is?

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Posted by on March 7, 2015 in Movie Reviews


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