Tag Archives: capitalism

John Carpenters’ “They Live” (1988). Sort of a Sci-Fi Film but Definitely a Cult Classic.

Well JPFmovie fans here is a blast from the past that’s been under the radar for most of the population: John Carpenters’ They Live (1988).  Despite its age, this film was recently in the news because neo-Nazis and anti-semites took to claiming on various white power websites that Carpenter’s paranoid sci-fi action flick was an allegory for “Jewish control of the world.” When we here at JPFmovies read this nonsense, we had the same reaction as director Carpenter who said in a tweet ““THEY LIVE is about yuppies and unrestrained capitalism.  It has nothing to do with Jewish control of the world, which is slander and a lie.” The morons who believe the film was created for some white power fools are possibly the stupidest people alive.

That said, They Live reached cult classic status more than a decade ago because that is exactly what it is—a cult classic.  The film stars the recently deceased Roddy Piper (1954-2015) (the former WWF professional wrestler) as a no-name wonderer who is down on his luck living on the street while looking for any kind of work.  As the wanderer arrives in Los Angeles (arriving from Colorado) he is initially rebuffed by an employment agency but his luck changes a little when he stumbles onto a construction site and after a little groveling is given a job.  After a hard day’s work, the wanderer is approached by another laborer who directs Piper to a shanty town located in some vacant lot.  During his stay in the shanty town, the T.V. shows are hacked by some bizarre person talking about the masses staying asleep and the population is being breed as “livestock.”


The wanderer realizes that the man on television is in a local church where he discovers that the church it is actually the headquarters of an underground organization.  The shanty town is subject to a violent police shakedown and Piper starts to believe that something is rotten in the state of Denmark so to speak.  To learn more, he re-enters the church and finds a box full of sunglasses that allows his to see the world as it is. Though sunglasses found by Piper appear to be worthless, they actually provide him with the greatest gift of all: The Truth and the truth is shocking.  After discovering the truth, Piper gets really pissed off and grabs a shotgun and starts shooting aliens.

After the aliens realize that the wanderer can see through their disguise, they immediately alert the authorities saying “I’ve got one that can see.” Being able to “see” is obviously frowned upon by the aliens – they do not like to be exposed.  Piper says the profound and timeless words: “I don’t like this ooooooooone bit.”


Upon learning the shocking truth about the world, the wanderer needs to get others to see the truth as well and shares this vital information with his friend Frank Armitage.  However some people do not want to hear about it.  When Piper asks Frank to put on his sunglasses so he can see what he sees, Frank firmly refuses and calls him a “crazy motha…”  But Piper replies with another classic line “Either you put these sunglasses on or start eating that trash can.” What comes next is arguably the longest one-on-one fight scene consisting of eight minutes of punching and kicking, which is dragged out for so long that it becomes comical.


After convincing his friend that the world is not what it seems to be, a shooting spree ensues.  While at a bank, Piper says the famous line “I have come here to chew bubblegum and kick ass… and I’m all out of bubblegum” and then starts shooting every alien he sees.  During his shooting spree, he meets Holly Thomspon, a Cable 54 network executive that always somehow brings trouble.  During a resistance meeting she poses as a sympathizer and claiming that where she works–Cable 54–“was clean” and not the source of aliens’ signal, which was false and misleading.  The wanderer and his friend Frank however attack Cable 54 anyways where Holly appears again, claiming that she wants to help him. However, she is simply trying to kill him before the mission is accomplished.  She is simply another human that sold out to the aliens being used to disrupt non-corrupted humans attempting to liberate themselves and others.  Despite the odds against him Piper manages to take down the aliens’ transmitter and saves humanity.  His heroics get him killed, however, as a policeman inside a helicopter shoots him dead, but while dying, the wanderer gives the alien/cops the proverbial finger!

What a film!  Aliens, statements about America’s consumer culture, shotguns classic one-liners and flipping the police the bird before dying—frankly it doesn’t get much better than this.  This is a JPFmovies must see film that will hopefully make you part of its “cult.”


Posted by on May 2, 2017 in Movie Reviews


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As you know, we here at JPFmovies take requests very seriously. Our new friend CC put in a number of requests, one of them being Atlas Shrugged Part 1 (2011). The “critics” didn’t like, but we did.

Ayn Rand’s 1957 novel Atlas Shrugged is a legend in the literary world.  Her novel is one of the foundations for laissez-faire capitalism.  Whether you agree with her or not, you would be a chump to discount the power of Rand’s writings, especially Atlas Shrugged.  I find it amazing that it took over 50 years after the book’s publication and almost 30 years after Rand died in 1982 to get this into the theaters.

The film has several interesting characters, Dagny Taggart, Vice-President in charge of her family’s old Trans-Continental rail-road, Hank Rearden an industrialist who has developed a new metal stronger and lighter that traditional steal and Ellis Wyatt, a Colorado oil man that loses the freedom to run his business the way he wants to.

The protagonist, Dagny Taggart, is clearly the brains behind the operation of the family railroad and her moronic brother is no more than a puppet and a bad one at that.  Curiously one of her top managers comes into Dagny’s office to resign.  Dagny throws money at him hoping to keep him on.  When she asks why are you leaving and that she deserves the truth, he simply responds “Who is John Galt/”

For the rest of the movie we see black and white still shots of people with their names, occupations and the date of their “disappearance.”  So who is John Galt?  Well Rand does not tell you until the last third of her 1,100 page novel.  The movie follows suit leaving the viewer with few clues revealing who John Galt is.

To my surprise, Atlas Shrugged Part I turned into an intriguing, stylish film that did not water down the Randian message in the least.   In fact, the film’s format seems to free the characters in some sense from the limitations of Rand’s prose and give more clarity and purpose to the story, while keeping its message firmly at the film’s center.

When the novel was first published in 1957, the rail industry was still a central key to the American economy.  The film takes place in the near future, starting in 2016, and cleverly uses a global energy crisis to return rail to a central position in American industry.  Economic decline has pushed American government with ever-increasing speed into interventionism and central planning.  Politicians and lobbyists scream about fairness and the need to force the wealthy to pay their share in order to show compassion.

A few titans of industry resist the momentum of socialism — or to be more accurate, the crony capitalism that precedes and abets socialism and eventually fascism (personally I am always worried about any “ism”).  Dagny Taggart needs to save her family’s railroad empire from her incompetent brother, and turns to steel producer Henry Rearden for a revolutionary new metal for aging and unreliable tracks.  Meanwhile, prominent and successful men keep disappearing without a trace, and no one knows where they have gone — except perhaps Dagny’s old flame Francisco, who may not be the dissipated playboy he seems.

The best word to describe Atlas Shrugged Part 1 is … surprising.  It’s surprisingly well-paced, surprisingly intelligent, surprisingly well-acted, and surprisingly entertaining.  Perhaps most surprising of all, it has me thinking about my intellectual roots.  Let’s be clear, the film is not for everyone, but then again what film is?

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Posted by on March 7, 2015 in Movie Reviews


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