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How cold could the cold war get? Pretty cold: Ice Station Zebra (1968)

You may ask JPFmovies “Why Ice Station Zebra” as a choice for one of the cold war trilogies?  Our interest in the film stems more from the movies biggest fan that the film itself: the one time wealthiest man in the world Howard Hughes.  The Reclusive billionaire (and this is in the 1970’s) Hughes, had experience both as a movie producer and a defense contractor for the United States, watched a private print of Ice Station Zebra 150 times on a continuous loop in his private hotel suite during the years prior to his death.  The film is the epitome of cold-war era espionage films it stared Rock Hudson, Patrick McGoohan, Ernest Borgnine, and NFL legend Jim Brown.  The films screenplay is loosely based upon 1963 novel of the same name that has roots to in real events that apparently took place in 1959.

As was typical in the cold war, NATO and the Warsaw Pact nations were in a race for something: a satellite and ejected a capsule which parachuted to the Arctic Ocean ice pack.

Leading the race for the U.S. was Commander James Ferraday (Rock Hudson), captain of the U.S. nuclear attack submarine USS Tigerfish (SSN-509), stationed at Holy Loch, Scotland.  He is ordered to rescue the personnel at Ice Station Zebra, a British civilian scientific weather station moving with the ice pack.  However, the mission is actually a cover for a highly classified assignment.  As he soon discovers a secretive Mr. “Jones” (Patrick McGoohan) and a platoon of U.S. Marines are aboard his boat.  While underway, a helicopter delivers combat Commander Captain Anders (Jim Brown), who takes over the Marines, and Boris Vaslov (Ernest Borgnine), an amiable Russian defector and spy, who is a trusted colleague of Jones.

The Tigerfish makes its way under the ice to Zebra’s last-known position.  But the ice is too thick so they decide to use a torpedo to blast an opening.  It really doesn’t work out too well as the crewmen suddenly find the torpedo tube is open at both ends, killing one crewman and sending the sub sinking until its breaking point.  While the sub recovers, and investigation determines that this malfunction should be impossible but Jones describes how someone could intentionally rig the tube to malfunction.  The Capitan and his mysterious passenger Jones each conclude there is a saboteur aboard.  Then the sub finds a patch of ice that is thin enough to break through and boat surfaces.

The team approaches the camp to look for survivors, but it is clear the Jones and his fellow spy are not too concerned with the people but are desperately looking for something.  Ferraday is nobody’s fool and demands that he give him the full story.  So Jones fesses up that Britain’s, America’s and the Russian German scientists stolen after the war created a an advanced experimental British camera was stolen by the Soviets, along with an enhanced film emulsion developed by the Americans. The Soviets combined the two and sent it into orbit to photograph the locations of the all the American missile bases.  However, the camera malfunctioned and continued to record Soviet missile sites as well and then a second malfunction forced re-entry in the Arctic, close to Ice Station Zebra.  Soon after, undercover Soviet and British agents arrived to recover the film capsule, and the civilian scientists at Zebra were caught in the crossfire between them.

As the weather clears, Ferraday sets his crew to searching for the capsule. Jones eventually finds a hidden tracking device.  He is blind-sided and knocked unconscious by Vaslov, who is a Soviet agent and the saboteur they have been looking for.  But before Vaslov can make off with his prize, he is confronted by Anders.  As the two men fight, a dazed Jones shoots and kills Captain Anders due to Vaslov’s manipulation of the scenario.

Hot on their heels are Soviet aircraft heading toward Zebra.  Ferraday and his men find the capsule buried in the ice.  While Ferraday’s crew extracts the capsule, Russian paratroopers land at the scene and their commander, Colonel Ostrovsky, demands the capsule.  Believing that the Americans have already secured the canister, the Russian commander threatens to activate the self-destruct mechanism with his radio-detonator.  Ferraday stalls while Vaslov defuses the booby-trapped capsule and takes out the film. Ferraday hands over the empty container, but the deception is revealed and a brief firefight breaks out.  In the confusion, Vaslov makes a break with the film canister.  Jones stops Vaslov, mortally wounds him, and retrieves the film.

Ferraday orders Jones to hand the film over to the Soviets. However, Ferraday had earlier found a radio-detonator identical to Ostrovsky’s.  The Russians send the canister aloft by balloon for recovery by an approaching jet fighter.  Marine lieutenant Walker makes a desperate attempt to get Ostrovsky’s detonator, but fails and is killed.  Commander Ferraday then activates his detonator, destroying the film.  Both sides leave the area under the pretense that everyone was there to rescue the civilians.

Ice Station Zebra was released on October 23, 1968. The film became a major hit, which gave a much-needed boost to Rock Hudson’s flagging career.

Why does it provide an example of the cold war era?  Simple, once again the two sides are stuck in a stalemate as they both wanted the film that revealed secrets about the other but while on the brink of war, each side actually ends up with nothing.  This was the reality of the cold war: two sides teetering on the brink of conflict but neither one getting the better of the other.  Those of you too young to experience the cold war will never know the feeling of always having to look over your shoulder to see if the enemy was there.

 

 

 
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Posted by on September 28, 2013 in Movie Reviews

 

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The Cold War–A Tribute.

I was watching my step daughter’s history documentary list for school and one of the last videos supposedly documents the Cold War.  Then it hit me.  Both she and her younger sister have no idea what living during the cold was like.  In fact, my ten year old even asked” “Why would anyone have an iron curtain?”

So our next tribute (which as you know is always three movies) is dedicated to films representing or otherwise try to capture the tension of the cold war.  Our first film, Ice Station Zebra (1968) is a classic staring (among others) Rock Hudson, Earnest Borgnine and Jim Brown.  One little known fact about this movie is that one of my hero’s (before he went off the deep end) the great pilot Howard Hughes was said to have watched the film on a continuous loop over 150 times in one sitting.

Our second movie in The Cold War tribute is The Spy Who Came in Out of the Cold (1965) starring Richard Burton and is about a British Spy who is stuck in East Germany,

The third and final tribute to the Cold War is The Hunt For Red October (1990) starring Alec Baldwin, Sean Connery, Fred Thompson, James Earl Jones and Sam Neill.  The formidable cast in the film makes it a great movie to watch and is even relatively clean for the kids.

So there you have it.  Our tribute to the Cold War—watch for the pending reviews.

JPFmovies 

 
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Posted by on September 21, 2013 in Movie Reviews

 

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I was wondering what were Sam Neil and Mel Gibson doing in 1982? Then it hit me—they were making “Attack Force Z” (1982).

During WWII “Attack force Z” was a joint Allied special forces unit designated to operate behind Japanese lines in South East Asia.  Predominantly Australian, Z Special Unit was a specialized reconnaissance and sabotage outfit that included British, Dutch, New Zealand, Timorese and Indonesian members, principally operating around Borneo and nearby islands and was under the direct command of General Douglas MacArthur.  This early precursor to today’s Special Forces carried out a total of 81 covert operations with soldiers inserted by parachute or submarine to provide intelligence and conduct guerrilla warfare.  The most infamous of these missions were Operation Jaywick and Operation Rimau, both of which involved raids on Japanese shipping in Singapore Harbor; the latter of which resulted in the deaths of twenty-three commandos either KIA or by execution by the Japanese after capture.

While many will immediately flock to Mel Gibson’s performance in this lower budget war film, I believe the best performance is by Sam Neil—whose acting credentials are also as impressive as Gibson’s in my opinion.

Within the first five minutes of this film we see just how serious these chaps are about their mission (which is to find a crashed plane).  Led by Paul Kelly (Gibson), an inexperienced commando officer, the team secretly lands on the island and hides their kayaks.  As they venture in land, Ted ‘Kingo’ King is hit by fire from an unseen machine gun post.  King cannot be allowed to fall into enemy hands and compromise the mission under interrogation, so instead of taking him back or finding him shelter until they return to shore, his companion, D.J. Costello (Sam Neill) simply shoots him after sharing a cigarette so the mission can continue uncompromised.  The execution of one of their own doesn’t even so much as raise an eyebrow.  The four remaining men return to their search, after coming across a rice farmer and assuring him they are friends, the teams learns of the area where the plane crashed, but not after the rice farmer is also killed in order to preserve secrecy.

While following the (now dead) old man’s directions, the squad sees some Japanese soldiers leave a house and when Force Z storms in, they meet the local resistance leader Lin and his family.  Now they have a guide to lead them to the plane, but are attacked by Japanese soldiers at a Buddhist Temple.  As Force Z makes quick work of these soldiers, the bodies begin to start piling up and the Japanese Command begin to intensify the search for the parties responsible for all these dead men.

Meanwhile within sight of the plane Kelly watches as locals blow up the wreckage.  The local non-English speaking resistance leader leads them to a defecting Japanese government official Imoguchi, and he is believed to hold secrets that could end the war faster.  Only Kelly knows he must be rescued at any cost or killed.  As the pieces of the puzzle begin to fall together, Kelly must persuade his own men that Imoguchi is worth rescuing and the local resistance that it is worth fighting against their Japanese enemies.

However, as the excitement should carry the action onwards, Attack Force Z blunders mightily in the second act.  It should be building up to a thrilling climax, but instead it devolves into a tired and clichéd war romance between Law’s American commando, Jan Veitch, and a local village girl, while the script leads the rest of the group in a contrived circle to delay the final exposition and eventual showdown with the Japanese occupiers.

Featuring a couple of strong performances (especially by Neill) yet only intermittently effective, Attack Force Z has aged poorly, more so than many other war films from the same period.  It has significant technical handicap and wavering directorial conviction draws away from what should be an otherwise interesting story, leaving behind a somewhat murky film.

 

 

 
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Posted by on September 8, 2013 in Movie Reviews

 

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Part 2 of what the hell happened to Kim Ji-woon? The Last Stand (2013) hopefully the “Terminator’s” last movie.

The Last Stand is a 2013 action film starring Arnold Schwarzenegger and directed by Kim Ji-woon.  The film is Schwarzenegger’s first lead role since Terminator 3: Rise of the Machines (2003), as well as the first (and hopefully last) American production for the South Korean director Kim Ji-woon, cinematographer Kim Ji-yong and composer Mowg.  The film is about a small town sheriff and his deputies who must stop a dangerous drug lord from escaping to Mexico in a modified sports car.  That’s about all there is to say about The Last Stand.

No actually there is more.  The Last Stand is the movie equivalent of the village idiot who, to avoid scorn, starts acting like an even bigger idiot so as to get in on the joke too and is painful to watch.

Here is the rest of the movie: the son of an overlord of a drug cartel (Eduardo Noriega) escapes FBI custody and begins a long, violent dash toward the Mexican border in a super-sized corvette that never runs out of gas even after driving at 200 mph from Las Vegas to the Mexican border.  If only the auto industry could match this kind of gas mileage, oil prices would fall and global warming would probably stop in its tracks.   Forest Whitaker plays the atypical FBI agent on the case and has an amazing role: it consists almost entirely of standing in a room, surrounded by phones and screens, and cursing every time he gets some bad news about a corvette he can’t stop with all of the government’s resources at his disposal.  

This drug lord is unstoppable.  He has scores of men, a mole in the FBI, lots of machine guns, plus this thing they call “the gun” — as in “Get the gun!” — which appears to be a stinger missile.  If all else fails, he also has a super Corvette that no one can catch.  But he makes one mistake, and you know what that mistake is already: He decides to pass through Arnold’s town.  Ohhh didn’t see that coming. 

The last 45 minutes of “The Last Stand” consists of nothing but people killing each other, a crazy bloodbath that is so excessive that it seems comical — except when it’s trying to be funny, and then it just seems a sick: People getting shot with machine guns, getting shot in the ear, getting stabbed in the leg, getting shot by an old lady, and getting shot in the shoulder. As for the shoulder wounds — “nay, ’tis but a scratch,” on some moron who wears a medieval helmet with a matching shield.  Everyone is all up and making really bad jokes in no time.

Ok now that is really all that needs to be said about the film once again confirming JPFmovie’s theory that American films have become nothing more than a sequence of action scenes loosely tied together with some bad writing in between.

Looking at this muck after watching A Bittersweet Life churns the stomach.  But you might say the last 45 minutes of A Bittersweet Life is nothing more than a murderous vengeful rampage too.  To stand by such a statement is foolish.  A Bittersweet Life’s scenes are gritty and unforgiving embodying a man bent on revenge at all costs.  Not a bunch of scenes from the planet cornball.  To think that these films were directed by the same person is nothing short of insane except it is true.  Unfortunately for Hollywood, it is Asia one Hollywood zero-once again.

 

 
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Posted by on August 29, 2013 in Movie Reviews

 

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A “reverse re-make,” Kim Ji-woon comes over from South Korea and directs “The Last Stand” the 2013 action film starring Arnold Schwarzenegger. What the hell happened here? Part 1 of 2.

As many of you know, we here at JPFmovies have been bitching about the bankruptcy of American cinema for some time now.  Holly Wood’s creative impoverishment is seen the trend that American studios and directors are now copying (or to use the polite term “re-making”) South Korean, Chinese, Japanese and Asian films in general instead of producing their own original films.  Cases in point include: Spike Lee’s “re-making” the gritty South Korean film Old Boy (2003) (due sometime this year); Universal Studio’s and Keanu Reeves (based in all accounts) butchering of the Japanese classic tale of The 47 Ronin (due Xmas 2013); The Grudge (2004) a remake of the Japanese film Ju-on (2002); The Ring (2002) a remake of the Japanese film Ringu (1998); The Lake House (2006) with Sandra Bullock and Keanu Reeves (again) a remake of the South Korean film Il Mare (2000); Martin Scorsese’s crime thriller The Departed (2006) which won an Academy Award for Best Picture is a remake of the Hong Kong film Infernal Affairs (2002) (a far better movie); and The Hunger Games (2012) a rip-off of Battle Royale (2000), a Japanese film/novel that came out over ten years earlier.  The list does not even include films like The Seven Samurai (1954) made by the “Emperor” Akira Kurosawa.

However The Last Stand (2013) goes against the grain.  How could Kim Ji-woon, director of the outstanding film A Bittersweet Life (2005), make the wretched, rigidly formulaic The Last Stand?  I am pretty sure that part of the problem was Kim Jee-Woon and Arnold Schwarzenegger’s what we shall term a failure to communicate.  They literally could not speak each other’s language, relying on translators because Kim can’t speak English and Schwarzenegger’s heavy Teutonic accent.  Another explanation is that Holly Wood has become so devoid of ability that it actually sucks the talent out of people who have it.  When Kim’s plane landed in Los Angeles, it seems like he had a temporary lobotomy.  Hopefully, on his way back to South Korea, Kim will regain his full facilities.

So let’s contrast Kim’s A Bittersweet Life with The Last Stand.

First we examine the impressive A Bittersweet Life.

Korean films have come a long way, evolving faster than any other industry in the world with quality and unique films.  Coming from a director known for his offbeat films with sincere inclination towards action, violence and revenge, A Bittersweet Life is a film about life’s lessons.  A lesson that clarifies, in life, irrespective of who you are, good or bad, you’re sure have to moments that are sweet and bitter in nature.  These moments when put together become “A Bittersweet Life.”

Kim Sun-Woo is an enforcer working for the coldest, ruthless and calculating crime boss in the city.  This crime boss has bestowed all his trust upon Kim and considers him the loyal disciple. One fine afternoon, he is summoned by his boss and instructed over lunch that he’s to take on an assignment.  An assignment that should be kept very secretive and the developments in it should directly reach the boss at regular intervals.  The boss is romantically involved with a woman who’s younger than half his age.  He loves her genuinely however feels she may be cheating on him.  He appoints Kim to investigate and tells him to finish her off if caught red handed.  Unfortunately, at first sight, he falls for the boss’s girlfriend and also uncovers that she’s been cheating.  However, he  does not have the guts to pull the trigger on her, and therefore, lets her go off the hook.  When the boss discovers, Kim becomes the immediate target. With boss’s entourage on his trail, Kim should run for his life but should return sooner or later to give his piece of mind back to people who betrayed him.

Korean films love to glorify violence like no other industry in the world.  This is the Kind of violence that’ll make you love violence.  I mean it! The best part is Koreans love to fight with swords, knives, sickles, machetes, hammers but not guns.  So, it’s gruesome to see them chopping each other in the name of revenge.  I suppose their idea of carrying these instruments instead of guns is to inflict as much pain as possible.  Think about it and you’d be surprised that instead of putting a bullet in someone’s head, take a knife or something and start slashing them and the sadistic pleasure you get out of it is priceless, according to these Koreans.  

In life, there are moments that are good, bad and bitter; it’s the mixture of these moments which completes life and gives it a meaning.  Kim’s life had its share of sweet and bitter moments however he chose to let go off the former and take control of the latter.  The time spent with his boss’s daughter are his sweetest moments while the repercussion it left upon his life turned all the sweet in to bitter moments, eventually, only giving him grief to live with.

Performances were outstanding and there’s hardly anything to complain.  Stunts deserve a special mention and the credit goes to Doo-Hong Jung for keeping stunts top class and highly professional.  In short, A Bittersweet Life leaves you with one thought to ponder over.  Life gives you good and bad but it’s your ability to choose wisely instead of dwelling on one.

Next we’ll look Kim’s The Last Stand and hope it is Kim’s last American movie.

 
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Posted by on August 27, 2013 in Movie Reviews

 

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What does two men playing cards, $100,000,000 and a lot of clicking noises equal? The South African film The Gods Must Be Crazy (1980).

I had forgotten about this film until someone recently mentioned it to me.  When I heard the title I knew I had to review it because to this day it is one of the funniest films I’ve ever seen.  It is a light-hearted film about who has the better life the “uncivilized” bushman of the Kalahari Desert or the people living in a “civilized” world with all the modern problems and stresses of everyday life.  Apparently the film generated much controversy and the government of Trinidad and Tobago even went so far as to ban it.  You’ve got to be kidding me—banning the Gods Must Be Crazy!  What film are they watching?

 

It is a simple film with three plot lines that starts with a Coke bottle falling out of the sky (tossed from a passing airplane) and is found by a tribe of Bushmen in the Kalahari Desert.  The bottle, being unique and beautiful, leads to the new feelings of jealousy and conflicts within the tribe.  So the leader of the tribe, Xi, decides to travel to “the end of the Earth” to return this gift to the Gods who, Xi believes dropped it.  As he travels to the end of the Earth, he encounters civilization, and civilization is shown to be ugly, cruel and insane compared to the simple, Eden like life of Xi’s blessed, relaxed people.  The second plotline has Mr. Stayn, a scientist working in the game reserve, meeting Miss Thompson, a school teacher, to whom he‘s attracted, but Stayn cannot do anything right around women.  The third has Sam Boga lead an unsuccessful military junta and becomes a fugitive running from the law in neighboring country.  Boga takes Miss Thompson and her class hostage during his flight.  Mr. Stayn and Xi, who temporarily works as a guide, help free the hostages, capture Boga and his men, and Stayn finally is able to relate his feelings to Miss Thompson.

The film has many slapstick moments that actually work in the picture.  One scene has Sam Boga’s gang burst into the President’s cabinet room only to have the doors slam back on them as they try to shoot the President and his subordinates.  Two of Boga’s men (that are constantly playing cards) are trying to shoot down a helicopter that is chasing them with a bazooka only to first shoot a bunch of bananas and have the shells keep falling out of the weapon before finally blowing up their pursuers.  The two go back to playing cards and try to every chance they get.  It may sound corny but it actually works.  Xi eventually saves the day by tranquilizing Boga and his men and eventually finds himself at the top of a cliff with a solid layer of low-lying clouds obscuring the landscape below. This convinces Xi that he has reached the edge of the world, and he throws the bottle off the cliff; this scene was filmed in South Africa (now Mpumalanga)), at the edge of the escarpment between the Highveld and of South Africa.  Xi then returns to his tribe and a warm welcome from his family.

Frankly people who call the film racist or anything along those lines just needs to calm down.  The fact of the matter is that the film grossed $100,000,000 worldwide shattering box office records in many countries.  The film also spawned two authorized sequels and three unauthorized films made in Hong Kong.  It is a great lighthearted film that equally funny for adults and children alike.  I suggest you watch this grainy classic and take it for what it is—a movie.

The Start of all the trouble is a simple Coke bottle.

 
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Posted by on July 30, 2013 in Movie Reviews

 

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