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We here at JPFmovies pride ourselves at talking a hard, gritty look at entertainment from all over the world.

How can one properly review Smokey and the Bandit? I’m not sure but let’s try.

Smokey and the Bandit is a 1977 film starring Burt Reynolds, Sally Field, Jackie Gleason, Jerry Reed, Pat McCormick, Paul Williams, and Mike Henry and except for Star Wars was the highest grossing film of 1977.  The film was so popular that Trans Am sales increased from 68,745 cars in 1977 to 117,108 by 1979 leading to the joke that director Hal Needham sold more cars than the entire Pontiac sales force combined.  I mean, for goodness’ sake, my younger brother has been looking for a “Smokey and the Bandit” 1977 Trans Am for years because of the movie.  Now that’s fan loyalty.

The movie starts with a couple of nouveau riche Texans named Big Enos Burdette and his son Little Enos looking for a truck driver to run 400 cases of Coors beer from Texarkana Texas to a rodeo in Georgia in 28 hours or less totaling 1324 miles.  As we know from the opening scene, however, selling or shipping liquor east of the Mississippi River was considered bootlegging and other truck drivers who had tried making this run before were arrested for violating federal and state laws.  Big and Little Enos search a local truck rodeo for the legendary Bo “Bandit” Darville (Burt Reynolds).  Big and Little Enos offer to pay the Bandit $80,000.00 to make the Coors run — a deal Bandit can’t turn down.

Bandit enlists his friend Cledus “Snowman” Snow (Jerry Reed) to drive the truck (with his dog “Fred”).  After demanding an advance from the Burdettes for a “speedy car,” the Bandit get the now infamous 1977 Black Pontiac Trans Am to run as the blocking vehicle to distract the authorities from the truck and its illegal cargo.

Bandit and Snowman pick up the beer in Texas with time to spare.  Bandit, however, picks up Carrie (Sally Field) who is wearing a wedding dress.  We come to find out that she jilted the groom (“Junior”) at the altar and that her would be father in law Sheriff Buford T. Justice (Jackie Gleason) is on the hunt to drag her back to town.  Since the Bandit has Carrie, Buford T. Justice now wants the Bandit.  The rest of the movie is Buford T. Justice in “hot pursuit” of the Bandit through several states and Bandit evading him and other authorities with his now famous Trans Am.

Yes, eventually Bandit and Snowman barely win the bet and are not captured by the law, but it is the journey, not the destination, that matters.

Yes, Burt Reynolds is great in this movie, making it one of his signature parts, but my thinking here is that Jackie Gleason puts on the best performance of the show.  He portrays the quintessential Texas law man perfectly embodying every stereotype possible throughout the film making one outrageous statement after the other.  Apparently, a significant portion of Gleason’s screen time was improvised, which only illustrates (at least to me) just how talented he was.  Mr. Gleason’s performance creates one of the greatest comic characters in film history and demonstrates that he was one of the greatest American comic actors of all time.  If by some perverted twist of fate you have not seen Smokey and the Bandit, watch it and I think you’ll agree with me. And if you don’t, you have no sense of humor.

 
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Posted by on March 16, 2011 in Movie Reviews

 

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What’s Next? I’ll tell you (sort of)

I don’t know if you all remember our last tribute; it was to Oliver Platt. We looked at three of his movies: Lake Placid, Liberty Stands Still and Frost/Nixon (tributes are always in three’s). The next three movies are going to be a tribute to Burt Reynolds. That is right–the Big B. Which three is the real question. I have the first one almost ready to go and we should get it out today, but the next two . . . . . . .

 
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Posted by on March 15, 2011 in Movie Reviews

 

You asked for it & here it is–The Inside Job.

By JPFMovies in consultation with Dr. H

 

The Inside Job is the Oscar winning 2010 documentary by Charles H. Ferguson about the financial crisis starting around 2007 to the present.  Ferguson describes the film as illustrating “the systemic corruption of the United States by the financial services industry and the consequences of that systemic corruption.” As noted, the film won an Academy Award for Best Documentary Feature this year.

 

One of Ferguson’s major points is the force the financial industry wields on the political process and the ways they use it.  One of many points discussed by the film is the prevalence of “the revolving door,” when financial regulators are hired by the private financial sector after leaving government positions to make millions in the very industries that they regulated.  There is a law in place that is designed to curb this abuse but it is narrowly drawn and enforcement is lax (the law imposes a one year “cooling off” period between leaving the civil service and going into the private sector that you regulated).

 

Much of the film takes a historical look at changes in the financial services industry over the past decade leading up to today’s crisis, the movement toward deregulation (i.e. repealing parts of the Glass-Stegall Act in 1999-2000), and how complex trading schemes permitted massive increases in risk taking while skirting the very regulations designed to curb these risks (remember the 1994 bankruptcy of Orange County, California—caused in part by risky derivative trading).

 

The film points to many undisclosed relationships and conflicts of interest that have a material influence on important institutions like credit rating agencies and universities (as when academics who receive funding as consultants do not disclose this information in their academic writing), and also notes that these conflicts played a role in hiding and ultimately aggravating  the crisis.

 

Another significant issue discussed is the insane pay in the financial industry and its explosion over the past decade incredibly out of proportion to the rest of the economy.  The compensation abuses have grown so bad that even at the banks that failed, banking executives were making hundreds of millions of dollars in bonuses right up to the institutional failures and ultimately the current crisis.

 

I was glad to see that mainstream media outlets had more journalists with guts than I expected.  Especially since Ferguson’s bread and butter comes from the media industry which did not escape culpability.  I don’t know if it was just me but the documentary didn’t tell me anything that I already didn’t know (or at least confirmed what I had suspected) with one exception:  I had no clue that our academics in their lofty ivory towers had their snouts in the trough as much as any seedy executive or other special interest group.  Academia seems to bear as much responsibility for the current crisis as any other major player in this economic catastrophe.  Academics have somehow managed to keep their image as pure and unbiased thinkers when in reality they are as corruptible and greedy as anyone else on “Wall Street.”

 

As I said, the documentary didn’t really tell me anything I didn’t know, but I am grateful that it provided its viewers with a different but well-founded point of view.  As good as the documentary was, it wasn’t so good that it deserved an Oscar (in my “humble” opinion).  That said I’m thankful for what the film provides its viewers—exposing the slimy underbelly of a significant part of the American economy.

 
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Posted by on March 15, 2011 in Movie Reviews

 

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Battle of Los Angeles: Dr. H: I Watched the Movie and Lived to Tell the Tale

Yes I know I said that the Inside Job would be next, but Dr. H saw this movie and insisted I get it up ASAP to save anyone from being subjected to its torture.

My take on this movie is – any man who takes his girlfriend to this movie and then confesses that he liked it, will in all probably receive a curt “Dear John” letter stating to the effect “I am leaving you for…anyone else.”  This movie has some serious intellectual limitations and some major aesthetic challenges to overcome.  It is not only a loud sensory overload, but it is incredibly stupid.

The story goes like this.  Aliens have arrived inside meteors that rain along the coasts of all major cities and contain within, alien troops that of course that look like huge reptiles with automatic weapons coming from their arms.  There are some hints dropped that the aliens are here to claim our water, but this premise is neither fully explored nor explained.  There is a marine platoon that takes on the task of defeating the aliens and the evacuation of Santa Monica, led by staff sergeant Nantz (Aaron Eckhart), who is about to marretire in a month’s time (where have we heard this before?). An otherwise fine actor,  Eckhart is badly let down by the script, the director Johnathan Liebsman, the special effects team, and every other thing that goes into making a movie.

You can almost sense his discomfort and you get the feeling that his prime responsibility perhaps is to somehow protect his supporting cast from this vulgar onslaught rather than actually confronting the aliens and saving the planet. But you can’t do much with a script that relies on grunts and screams like “more!” “look out!” “fine!” and the tedious dialogue. Consider these dialogues and weep. “Now I want you to be my little Marine.” “That’s what Marines do.” The funniest thing is that there is no symmetry in action and everyone is under fire from all possible directions and everyone appears to be everywhere.

It borrows heavily from an artistic and vastly superior film, District Nine. Too bad the irony and the political satire of District Nine was lost on the director. You can almost imagine the producer selling the movie to a studio boss, “Remember District Nine, a movie made for $15 million, grossed $200 million worldwide. Guess what? We’ll do a better job. Uglier aliens. No humanitarian subtext. No depth. And best of all a story line a third grader can relate to. Now that’s a movie to boot.”

I stumbled out of the movie theater dazed, confused, and cursing myself for this mother of all stupidities. I could have better used my $20, crashed at the JPFMovies cave, watched a sensible movie, and feasted on some decent food. But then again, I did save you guys from this movie. I feel redeemed.

 
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Posted by on March 14, 2011 in Movie Reviews

 

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Silver get in touch with me to collect your winnings.

Silver get in touch with me to collect your winnings.

 
17 Comments

Posted by on March 5, 2011 in Movie Reviews

 

Next Up the Inside Job!

Dr. H and other are requesting a review of the Inside Job. Well your requests have been heard and we here at jpfmovies will give it a shot.

 
10 Comments

Posted by on March 5, 2011 in Movie Reviews