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We here at JPFmovies pride ourselves at talking a hard, gritty look at entertainment from all over the world.

A Kentucky Fried Movie (1977) a Movie that is as funny as Kentucky Fried Chicken is Delicious.

Anyone who has seen So I Married and Axe Murder remembers the father’s claim that Colonel Sanders put some mysterious chemicals in his chicken “so that you crave it fort-nightly.”  I could not agree more nor could agree more that A Kentucky Fried Movies is dollar for dollar one of the funniest movies even made (the film had a total budget of $650,000 and made millions).

A Kentucky Fried Movie consists of largely unconnected sketches that parody various film and TV genres.  The movie’s longest segment (and main feature) satirized an early, yet classic, kung-fu film: Bruce Lee’s Enter the Dragon; its title, A Fistful of Yen, refers to A Fistful of Dollars.  Parodies of disaster films (That’s Armageddon), blaxplotation (Cleopatra Schwartz) and softcore porn/women-in-prison films (Catholic High School Girls in Trouble) are presented as “Coming Attraction” trailers to the martial arts classic.  Many other sketches spoof TV commercials and programs, news broadcasts, and classroom educational films.  The city of Detroit and its high crime rate are a running gag portraying the city as a literal Hell-on-Earth; in “A Fistful of Yen,” the evil drug lord orders a captured CIA agent to be sent to Detroit, and the agent screams and begs to be killed or castrated instead of that.

“The popcorn you’re eating has been pissed in…film at eleven.”

—Kentucky Fried Movie’s TV anchor

What does this movie really mean to me?  Simple.  At some point in the early 1980’s, the clamps went down on American Studios and they lost their balls.  The American movie system began to bow to special interests and censor itself away from nudity, confrontation, and anything else that might slightly offend anyone.  Films that would have been seen as ‘for adults’ in the pre-ratings-happy 1970’s were suddenly not acceptable for release in the 1980’s, as studio executives clamored for the baby market and shied away from anything that might get mommy writing a letter to a sponsor.

Then came the 1990’s, where the studios claim that they’d reversed the trend, with “outlandish” comedians like Adam Sandler, Martin Lawrence and anyone else who ever lugged a cable on Saturday Night Live.  Oh how Sandler’s wacky Billy Madison and Happy Gilmore re-captured the truly satirical and gritty humor of Animal House or a Kentucky Fried movie—anyone comparing the two genres of films who would say these movies are in the same league is nothing short of a fool.  For those of us lucky enough to know what real guerilla comedy was all about, recall the outrageous humor that the Zuckers gave us back when there may have been rules, but no one paid attention or nobody cared, are now we are tortured with crap like The Waterboy and Deuce Bigelow that are somewhere along the level of animal shit on the comedic evolutionary scale.  Then, with 2000, came the evolution of a new, lower life form: Tom Green.  Fellow readers, we’re going backwards, and if you want to see the standard that we were at back when comedy that was pure, offensive and was freely given to those looking to take it, then The Kentucky Fried Movie is for you.  Whether you have to stay up late to watch it or get the DVD I suggest you do it, you will not waste 90 minutes of your life whereas watching “Deuce Bigelow” or “Beverly Hills Ninja” you will.

That is what I think anyways.  Your thoughts?

 
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Posted by on August 16, 2012 in Movie Reviews

 

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Elizabeth Olsen in “Silent House” (2012): Keep Quit If You Are Asked to Watch It.

This was one of those rare movies that is so bad I don’t even know where to begin.  It’s the acting, it’s the writing and it’s directing that makes this movie the blemish on mankind that it is. The story, at times, makes no sense, nor do the actions of the main character, Sarah (Elizabeth Olsen of the Olsen twin’s fame).  The fact that someone approved the making of this movie, and that people actually got money to make it, is an outrage surpassing the 2008 financial bailout.

Taking its elements from a 2010 Uruguayan film, The Silent House story is pretty basic – which makes sense for a movie with only a few characters and an especially limited scale.  We are forced to follow leading-lady Sarah (Olsen) through “a tense,” and at times “horrifying,” ordeal: Sarah, along with her father, John (Adam Trese), and Uncle, Peter (Eric Sheffer Stevens), is in the process of fixing up the family’s dilapidated vacation home, in an effort to make the property more attractive when they attempt to sell it.  Sarah begins to hear mysterious noises in the upstairs portion of the house, and when she and her dad attempt to investigate the sounds, it quickly becomes clear that they are not alone – nor are they safe.  Whether or not the alleged “true event” inspiration of the film ever actually occurred remains unsubstantiated (and was a point of contention among fans of the 2010 Uruguayan film); however, “based on true events” or not, the fundamental storyline is inadequate within the confines of the 88 minute timeframe.

 

The only interesting part of this is movie is that film was shot in “real time.”  Due to this unique nature of the film’s presentation they had to use as a single take methodology, the production crew ran into several technical issues while filming, mainly surrounding lighting issues and mobility around the house.  Since the movie was filmed in 12-15 minute takes, there were several occurrences where entire sequences had to be thrown out and re-done repeatedly due to lighting problems or missed cues.  It also created a Blair Witch Project type of effect where the camera was bouncing up and down and twisting in all directions—it was like being on a bad roller coaster.

To be frank, I cannot write any more about this movie because it was so bad I had to turn it off.  As I have mentioned before, my threshold for bad movie pain the legendary, this film, however, was the Chinese water board torture of movie watching.  Its plot is thin, its acting is wretched and the writing seems like it was created by 100 monkeys chained to typewriters.  Remain silent if you are asked to watch this movie and exit as quickly as possible.  

 

 

 
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Posted by on August 2, 2012 in Movie Reviews

 

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Burn Notice the Series—Bruce Campbell Playing Bruce Campbell, from My Name is Bruce.

I’ve got to tell you, I struggled with what to use as JPFmovies’ third installment of our tribute to Bruce Campbell, so SS recommended Burn Notice.  As I don’t have regular/contemporary TV I had no clue what he was talking about, so obtained the pilot and episodes 1-2.  While he does not play the leading role (and in my opinion should get more face time) Campbell does fit the mold perfectly.

Campbell plays “Sam Axe”: An aging, semi-retired pudgy covert operative and former Navy SEAL.  Constantly short of cash, Axe spends his time drinking and sleeping with rich, older Miami women in exchange for the basics: food, booze and shelter.  He and Westen (the main character) are old buddies; Axe is also Westen’s consistent link to the official spy community.  Axe is “the guy who knows a guy,” and Westen relies on Axe’s long list of shady contacts as well as his ingrained tactical and covert skills.  Axe is not all fun and games; he is also an FBI informant, reporting on Westen when the FBI buys him lunch, but Axe is glad to become a double agent and pass questionable information to the FBI agents.  At some point in the past, Axe foiled Westen’s ex-girlfriend’s attempt to sell a large shipment of weapons to a Libyan arms dealer, costing her a good deal of money.  As a result, Fiona initially is very hostile towards him, but the two eventually become very antagonistic friends and Axe asks her for advice concerning his relationships with women.

The general premise of the show is this: Spies aren’t fired; they get “burned.”  Michael Westen received a “burn notice” and is stuck in his hometown of Miami, he’s been left in the cold with no money, no job and no information.  With no job history, cash or credit, he becomes a quasi-private eye, using the skills he learned as an intelligence operative.  With the help of his old friend, the drinking, womanizing Sam Axe (Campbell), and his gun-running, trigger-happy ex-girlfriend Fiona, he makes people’s problems disappear.  However, he remains on a constant quest to find out who burned him so he can get back into the game.  Burn Notice is in its sixth season and (like Miami Vice) filmed on location in Miami.

I liked the episodes, even though I was skeptical and expecting another run of the mill cop show with a tired twist. The first three episodes were not bad.  I don’t know if it can keep up the stories for six seasons, but the first one was probably pretty good.  The show is sort of a cross between Miami Vice and MacGiver; that is, using the flair and glitz of Miami while Westen and Campbell use hardware stores and homemade devices more than guns (that is what Westen’s ex Fiona is for).

Like I said, I think you could substitute Bruce Campbell in My Name is Bruce for Sam Axe in Burn Notice without skipping a beat—but hell, that is ok with me ‘cause there is nothing like a good old fashioned sleaze ball on TV.

 

 

 
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Posted by on July 11, 2012 in Movie Reviews

 

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My Name is Bruce (2007)—and I don’t mean Bruce Lee.

The second film in our series is “My Name Is Bruce,” the 2007 comedy-horror-spoof-film, directed, co-produced and starring the “B” (or C+ if you listen to some people) movie great Bruce Campbell.  As you know we just took a look at Army of Darkness (by far my favorite Campbell film); this time around we are discussing a movie about Bruce Campbell playing Bruce Campbell.  Unlike unintentional actors who are not really acting on screen, like when Chazz Palminteri plays Chazz Palminteri in every film, Campbell parades his status as cult B-movie genre megastar and makes a film that pokes fun at his acting career.  My guess is that most Hollywood “stars” have too big of an ego to make something with this sort of self-deprecating humor in it.

 

In his film, Campbell exaggerates all possible perceptions of what life is like being Bruce Campbell.  Portraying himself as a gone to hell, ruined by the devil’s nectar, divorced, making wretched sequels to already awful movies and living a trailer with an alcoholic dog, being Bruce means at best you are a proud loser barely maintaining a toehold on the “C” list of celebrity parties.

 

Somehow believing that Bruce is the hero he portrays in movies, Jeff, a fan and the sole surviving member of a group of Goth-like teens attacked by an ancient oriental evil demon that protects the souls of dead Chinese and bean curd, decides to kidnap Bruce and take him to his small town in the Heartland.  There, Bruce erroneously assumes his agent has set the stage for his birthday present (which was actually a hooker) by setting him up for yet another horror film shot in reality-style with an all-amateur cast.

 

Bruce is a little slow on the uptake in realizing that this Midwest jerk water burg of Gold Lick is under actual peril from an ancient, white-bearded God of War set on avenging the lives of 100 “Chinaman” workers lost in a mining disaster 100 years earlier.  Nevertheless, Jeff has sold him as the town’s savior, and like in Army of Darkness, takes up a “Hail to the King Baby” lifestyle.

 

After visiting Goldlick’s gun shop, Bruce and many amateur-actor citizens of Goldlick follow Bruce to take on Guan-Di, which Bruce thinks is just part of the movie.  When he finds out that it’s a real demon, he gets the hell out of Dodge, disappointing his female love interest Kelly and upsetting Jeff as well as the entire town of Goldlick.  When Bruce returns to his trailer home, he finds that everyone, including his junkie dog, hates him.  He has a restraining order placed upon him by his ex-wife, Cheryl who also wants more alimony, and finds that his “surprise birthday present” from Mills was just a singing prostitute.  Bruce is then called by Jeff, who informs him that he’s going to take on Guan-Di alone in spite of Bruce’s embarrassing retreat.

 

The hooker takes Bruce back to Goldlick, where he is treated with contempt but is determined to rescue Jeff.  He drives to the old cemetery where they planted dynamite at the mausoleum and try to lure Guan-Di inside with a cardboard cut-out of Bruce, which Guan-Di doesn’t fall for.  Displaying his machismo, Bruce decides to sacrifice himself using bean curd to luring Guan-Di and the dynamite is blown up.  He emerges from the debris alive, and hangs the medallion back on the mausoleum wall soothing the spirit.  Guan-Di then also comes back to life, and at the very last minute, it turns out the whole story was a movie being screened by the principals at the studio.  Bruce argues with Ted Raimi about the timeworn ending and turns it into a “happy ending,” which involves Bruce and Kelly married, living in a nice house, white picket fence and their son, Jeff, who is accepted into Harvard.  After the movie ends, Bruce asks, “What could be a better ending than that?” after which Guan-Di appears and attacks Bruce.

 

I must admit I was a little surprised with this film, I didn’t know what to expect—there are not too many movies where one satirizes one’s own career.  Fans of Bruce Campbell and the genera he represents I am sure were delighted by this film.  Though I am generally not a “B” horror movie fan (I enjoy many other “B” movie types) this film was not a cheap horror at all; instead it was a unique (and funny) look through the lens of the world of cheap horror movies.  It was better than I thought it would be and it needs to be watched more than once before catching all of the hidden humor; and anyone looking to kill a couple hours could do much worse than watching My Name is Bruce.  I will say this, while researching this review I looked at Bruce Campbell’s filmography and I would be willing to bet dollars to doughnuts that all but the most elite actors would give their right arm for the professional opportunities he has had.  Not bad for someone relegated to the seedy underworld of “B” horror movies—according to the site Celebrity Net Worth his is estimated at six million—I don’t know about you but that is a hell of a lot more than me.

 
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Posted by on June 28, 2012 in Movie Reviews

 

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Don’t Drink the Wine–It Does Not Taste Fine. Cary Grant in Arsenic & Old Lace (1944)

Emma and Sally Review Arsenic and Old Lace: Charge!

Why did you want to see A and OL?

Emma: Because it’s a good movie.

Sally: Because I love the Teddy Roosevelt thing. It’s really funny.

Can you describe the plot?

Sally: It was a pretty good funny movie.

Emma: It’s about two old ladies who kill people. They poison them and bury them in their cellar.

Sally: And they think it’s a good thing and their not real nephew finds out about it and he knows that it’s bad so…

Why do the old ladies think it’s a good idea to kill people?

Sally: Because they’re putting them out of their misery.

Emma: Because they are only killing people who are lonely and have no friends.

Sally: They only kill old gentlemen.

What’s your favorite part of the movie?

Sally: When the other guy who doesn’t think he’s Teddy Roosevelt charged up the stairs.

Emma: I don’t know.

Do you think Cary Grant and his new wife will live happily ever after?

Sally: No, I don’t think so. I think they’ll live insanely. Possibly happily.

Emma: I don’t know.

Do you think the aunts belonged in the insane asylum?

Emma: Well they were murdering people.

Sally: And they are kind of crazy. They were murdering people and thinking it was a good thing. They’re insane.

Do you think Teddy belonged in the insane asylum?

Sally: Yes. Although if they had a lot of stairs it might be not so good.

Do you belong in the insane asylum?

Sally: NO. That insane asylum was for people who thought they were historical people. And he said they were a little short on Napoleons.

Emma: Not necessarily. The aunts didn’t think they were historical people.

Sally: True, but they were still insane.

Who did the best acting job?

Sally: The person who turned out not to be a Brewster.

Emma: Mortimer?

Sally: Yeah.

Emma: I thought it was Teddy Roosevelt.

What did you think of Boris Karlov?

Emma: It said that it wasn’t actually, at the end. I thought that he was but he wasn’t. He looked a lot like him though.

Sally: He was weird.

What would you have thought if you were the cab driver?

Emma: I would have been annoyed.

Sally: I would have been really annoyed too.

What did you think of the police officer?

Emma: They all seemed pretty oblivious.

Sally: Yeah, they seemed pretty oblivious.

What did you learn from this movie?

Sally: Nothing.

Emma: Nothing.

Would you have tea with the aunts?

Sally: No.

Emma: I might have TEA with them.

Sally: Yeah, I might have tea with them.

Emma: Just not elderberry wine.

Sally: But you don’t drink, so…

Emma: Yes. Exactly.

What would you do if the aunts invited you to services in their cellar?

Sally : I would ask them why.

Emma: [shrugs]

Which of you is most likely to be found to be insane when you are older?

Sally: Emma!

Emma: Sally!

Explain your answer.

Sally: Well, she’s kind of crazy now.

Emma: So are you.

Sally: No I am not!

Emma: Well, you kind of are.

Sally: No I am not!

Do you consider this a girl power movie, and why or why not?

Sally: No, because it doesn’t really have girl power in it. The girl is just kind of helpless and the two aunts are insane. It’s not really girl power.

Emma: No, because the two aunts are insane.

Did you know that this play is commonly done by high school drama groups? Would you want to be in the play?

Sally: No.

Emma: Yes.

What part would you want to play, and why?

Emma: One of the aunts.

Sally: Yeah, I suppose one of the aunts. If I had to play some part.

Emma: It would be fun.

Sally: I don’t really want to be the other person, so…one of the aunts.

What is your favorite line from the movie?

Sally: Charge!

Emma: I don’t know.

Interviewer: My favorite is when Cary Grant says to one of the aunts, “You’ve just admitted to me that you have been murdering people and burying them in the cellar,” and she replies, “Yes, but you don’t think I would stoop to telling a fib!”

What rating do you think JPFMovies should give this movie, and why? On a scale of 1-10?

Emma: A nine.

Sally: A six.

And why?

Emma: It’s a funny movie.

Sally: Yeah, it’s a pretty fun movie. Especially the [imitates trumpet blowing] and charge!

 

 

 

 
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Posted by on June 17, 2012 in Movie Reviews

 

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We Interrupt thsi Bruce Campbell Tribute to Bring you Another Review from EJ & SJ: Arsenic & Old Lace (1944) or How to have a Mausoleum in your basement.

EJ & SJ have hit us with another review this time about the classic Cary Grant film Arsenic & Old Lace (1944). Let’s see what they have have to say about this classic comedy starring the larger than life Cary Grant.

 
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Posted by on June 16, 2012 in Movie Reviews

 

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